This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Alex North's wonderful score for the Elia Kazan production of Streetcar Named Desire – a soundtrack that's filled with a fair bit of jazz touches, and which almost comes off with an Elmer Bernstein sort of feel! The music's quite dark and evocative – wonderfully played throughout, with ... CD
One of the most striking Morricone soundtracks we've heard from the early 70s – a really dark little score that's filled with harsh tones and cool electronic effects! The film itself deals with the hardship of life in an Italian factory – and Morricone's music is filled with machine-lik ... CD
Hard-driving spaghetti western action – a soundtrack to one of the Ringo films, penned by Morricone's right-hand man, Bruno Nicolai! The feel is relatively dramatic overall – full orchestrations, and less of the space you'd find in a Morricone western soundtrack – with lots of ... CD