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There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A set that's nicely different than the "best of" you might expect – as the record features all new material – both songs that appear here for the first time, and new recordings of older gems – which all come together with the laidback, easygoing vibe that makes Gregory ... LP, Vinyl record album
If there's anything that might make the vocals of Gregory Isaacs sound even better, it's the production by Sly & Robbie that marks this excellent release on their Taxi label – a record that's both more expansive and more down to earth than some of Isaacs' work on bigger labels – and ... LP, Vinyl record album
There's plenty of dub procedure going on here – as Al Breadwinner takes tapes from the original Right Procedure album by Soul Power & Sound, and mixes them out into a wicked set of extended dubby takes on the tunes! If you know the Breadwinner touch, you'll know the special sort of magic ... LP, Vinyl record album
A dubbed up take on tracks recorded in Kingston in 1983 – work done at Channel One and Joe Gibbs studios, and given some slight augmentation here to stretch out the original tracks in a really great way! There's definitely plenty of roots, as promised in the title – hardly any ... LP, Vinyl record album
An obscure UK set from the late 80s – served up by a band with a strong roots-based approach, and presented here with some slight dubby touches in the mixing! There's a very homegrown, laidback vibe to the whole thing – as if you've stumbled on some back room sessions in west London, ... LP, Vinyl record album
A set that's maybe even better than you might expect from the title – as it not only features never-heard music from the great Augustus Pablo, it also includes killer material from a time when he was burning with a tremendously righteous fire! Backings on most tracks are by the Rockers All ... LP, Vinyl record album
One of the rarest dub albums of the 70s – a record that was originally done for the Impact label, but pressed up in a tiny amount of copies – even smaller than some of the better-known rare dub albums of the early years! Clive Chin is a righteous maestro throughout – superbly ... LP, Vinyl record album
A wonderful double-length set – one that brings together the lost legacy of work from singer Norris Reid on the Kingston scene – tracks that were only issued as rare 7" singles, in the years before Reid packed up and left Jamaica for Pittsburgh, and stopped recording gems like this! ... LP, Vinyl record album
One of Augustus Pablo's most classic records – from the title, to the cover, to the melodica-laden grooves within – prime Pablo with that ethereal sound that few other players could match on the instrument! The backings are warm and dubby – a perfect complement to the moody lead ... LP, Vinyl record album
The Revolutionaries are in fantastic formation on this rare dub set for GG's Records – serving up all sorts of deep, dark rhythms that get wonderfully transformed by the heady production from Alvin Ranglin! Ranglin's a real master of understatement here – and the album's definitely got ... LP, Vinyl record album
A digital set from the second half of the 80s, but one that keeps a very righteous, rootsy vibe at times – thanks to production from Augustus Pablo, and plenty of spiritual guidance from co-producer Haile Selassie! Pablo adds in plenty of melodica and keyboard lines next to the tightly ... LP, Vinyl record album
A righteous roots reggae set from the great Augustus Pablo – a record that's definitely filled with the sense of spiritual guidance he brought to some of his best albums at the time! The man himself plays all sorts of cool melodica solos, and also handles piano and organ too – with ... LP, Vinyl record album