Various : Round & Round – The Progressive Sounds Of 1974 (4CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Round & Round – The Progressive Sounds Of 1974 (4CD set)

CD (Item 144708) Esoteric (UK), 1974 — Condition: New Copy
4CD
Out Of Stock

CD

✈
❔
Prog rock was shifting a bit as 1974 came into view, but the leading lights of the scene were still going strong – sometimes with new modes and slight shifts in production techniques that showed that the music was evolving very strongly, and not just content to mire in the modes of an initial wave of activity! If anything, most of the cats on this set are even sharper musicians and more daring songwriters than a few years before – which means that sometimes, there's an even more focused approach to the music – a bold message that can come across strongly, without a full side album jam – and with production elements that don't oversaturate as much, which almost seems to indicate that the prog scene of the moment were having some thoughts about musical shifts to come! As with the other titles in this series, the box features a superb set list – really well-chosen cuts that go past the obvious – accompanied by a very hefty set of notes on each act and the tunes within. 4CD set features 51 tracks in all – work from Caravan, Hawkwind, Gong, PFM, Sensational Alex Harvey Band, Peter Hammill, Neutrons, Nektar, Hatfield & The North, Traffic, Gravy Train, Darryl Way's Wolf, Procol Harum, Jethro Tull, Stackridge, Greenslade, Strawbs, Kevin Ayers, Jack Bruce, and others!  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Cherry Red (UK), 1982. New Copy
An incredible early solo project from the young Tracey Thorn – a set recorded right before she joined up with Ben Watt to form Everything But The Girl – but delivered in a leaner, much more personal style overall! There's almost a bossa nova inspiration to the record – although ... CD
Polydor/SFE (UK), Early 1980s. New Copy 2CDs
A pair of albums from the mighty Peter Godwin – plus lots of bonus tracks too! First up is Dance Emotions – a set that's overflowing with mellow emotions from the great Peter Goodwin – one of the coolest acts of the new romantic generation from the early 80s UK! The cover image ... CD
Harvest/Esoteric (UK), Late 1960s/Early 1970s. New Copy 10CD
CD...$111.99 129.99
A treasure trove of work from Kevin Ayers – all four of his legendary Harvest albums, plus his Island album – all packaged in a massive set with lots of bonus tracks too! The songs here are amazing – easily on a par with the creative height of the early Pink Floyd – a lot ... CD
Grapefruit (UK), 1969. New Copy 2CDs
Fantastic work from one of the great never-rans of late 60s rock music – a trio from St Louis, but one who were scooped up by EMI and given fantastic studio treatment at Abbey Road studios in London – then never saw their full length album issued at the time! That lack of big ... CD
Grapefruit (UK), Late 1960s/Early 1970s. New Copy 3CDs
A massive collection of music from one of the grooviest periods in popular music – the late 60s rise of super-catchy pop that became known as bubblegum – usually cooked up by young studio geniuses and up-and-coming songwriters who were eager for a hit! The genre was sometimes derided ... CD
Creation/Cherry Red (UK), 1987. New Copy
A gem of a record from Felt – one that has them complicating the sound they first brought to the Creation Records label – stretching out some of the songs a bit, and working with art rock legend Mayo Thompson of the Red Krayola in the production booth! The use of organ continues to be ... CD
Island/Esoteric (UK), Mid 1970s. New Copy 3CD
A real highpoint in the career of the great John Cale – three full albums recorded for Island Records, with some great bonus material too! First up is Fear – one of the best solo albums ever from John Cale – a set that has the singer playing a lot of piano alongside his vocals, ... CD
Reprise/Esoteric (UK), 1971. New Copy 3CD
One of our favorite moments in the strong run of records from Family – a set that's still strongly defined by the vocals and songwriting of Roger Chapman, but which also has a lot more going on as well! John Wetton's joined the group for this album, and adds in bass and a bit of vocals ... CD
Polydor/Esoteric (UK), 1978. New Copy
CD...$3.99 14.99
An important solo set from Patrick Moraz – made right after his departure from Yes, where his keyboard work really helped set the tone for the group in the mid 70s! Here, Moraz explores some more global currents in his music at times, while also balancing things with a more majestic approach ... CD
Esoteric (UK), 1975. New Copy 4CDs
Mid 70s magic from the UK progressive rock scene – cuts from a moment when many of the groups were changing things up a bit – not in a commercial way, but in a mode that has them taking the energy of earlier jams and focusing them a bit more into tuneful music! The approach is a great ... CD
Harvest/Esoteric (UK), 1975. New Copy 2CD
A killer album from Soft Machine – one that's maybe a bit tighter and more rock oriented at times than the jazz workouts of their previous numbered albums – although still all instrumental, and with the kind of top-shelf instrumentation that we've always loved from the group! This time ... CD

Tim Blake

Noggi Tar
Esoteric/Cherry Red (UK), 2012. New Copy
CD...$3.99 14.99
Excellent later work from keyboard giant Tim Blake – material recorded well into the 21st Century, but with the same freewheeling and spacey sound as his classics from the 70s! You might know Blake for his work in Gong, or for a few crucial albums under his own name – and he more than ... CD
 



⇑ Top