Matt Monro : Matt Monro – The Complete EMI Recordings 1971 to 1984 (4CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Matt Monro – The Complete EMI Recordings 1971 to 1984 (4CD set)

CD (Item 144700) Strawberry (UK), 1970s/Early 80s — Condition: New Copy
4CD
Out Of Stock

CD

✈
Really wonderful later work from the great Matt Monro – one of the greatest voices in British music during the 60s, still going very strong here through a range of fantastic albums in the 70s! At some level, maybe Matt was waiting for this decade to really take off – as he had a mature style, even when young – one that's really well suited for the more sophisticated arrangements of the tunes, which also have the same sort of themes and sentiments that Frank Sinatra was hitting during his later years at Reprise – material that's carried off beautifully by Monro with his impeccable phrasing, and the sort of timing that has Matt's version of any tune really standing out from the rest! The package features a whopping 91 tracks in all – the albums From The Present, The Other Side Of The Stars, The Long & Winding Road, and If I Never Sing Another Song – plus loads of singles and rare tracks too – all bundled with a huge set of notes.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Soulmusic.com (UK), New Copy 8CDs
A huge collection of Nina's early years at the Colpix label – with the expanded editions of 8 original albums from the end of the 50s through mid 60s – including all the groundbreaking studio recordings and landmark live material of the era! Blackbird includes the complete original ... CD

Julie Driscoll

Julie Driscoll 1969
Polydor/Esoteric (UK), 1971. New Copy
Julie Driscoll's come a long way from her years with Brian Auger here – stepping out in a freer sound that marks the shift in the British scene from beat group grooving to jazz-rock jamming. The session features a host of likely suspects from that hip side of the scene where avant jazz and ... CD
Atlantic/Strawberry (UK), 1960s/1970s/Early 80s. New Copy 6CD
A really wonderful collection of music – work that has an already-great artist taking off into all these new directions of his own – completely reinventing himself as the jazz generations moved on, always with a really strong sense of wit and imagination! Mose Allison first emerged as ... CD

Carmen McRae

Haven't We Met?
Mainstream/Ultra Vybe (Japan), 1965. New Copy
Great work from Carmen McRae – light and groovy one minute, deeply expressive the other – but all with a sense of balance that few other singers can touch at this point in her career! Carmen's already moved past straight jazz, yet she also avoids the traps of bigger label commercial ... CD

Ruth Price

Live & Beautiful
AVA/Solid (Japan), 1963. New Copy
Ruth Price is definitely live and beautiful – stretching out here on a small combo date recorded in Hollywood – with a groove that's maybe a little hipper than some of her previous records too! The album features backings from a trio that includes Victor Feldman on piano, Bob Whitlock ... CD

Carmen McRae

Live & Doin' It
Mainstream/Ultra Vybe (Japan), 1965. New Copy
About as strong an example of the genius of Carmen McRae as you could ever hope to find – a live album that displays Carmen's impeccable phrasing in a very stripped-down setting – and one that also swings with a fair degree of sophisticated soul as well! Back in the 50s, Carmen paved ... CD

Sarah Vaughan

Send In The Clowns
Mainstream/Ultra Vybe (Japan), 1973. New Copy
The cover's a bit goofy, but the album's a standout in the 70s career of Sarah Vaughan – one of those sets in which she tried out newer, more contemporary material – and found that both her voice and the new style of arranging were a surprisingly good fit! Vaughan has help here from ... CD

Sarah Vaughan

Time In My Life
Mainstream/Ultra Vybe (Japan), 1971. New Copy
Sarah Vaughn's looking pretty groovy on the cover of this album, and she's sounding pretty groovy too – thanks to some sweet 70s backings from Ernie Wilkins! The style isn't exactly funky, but it's got some fully soulful sounds, and some great electric moments too – modes that almost ... CD
Mainstream/Ultra Vybe (Japan), 1974. New Copy
A fantastic 70s album from the great Sarah Vaughan – maybe one of her best small combo sessions of the decade – and a set that also makes room for some great instrumental contributions too! As you'd guess from the title, the group features the great Jimmy Rowles on piano – having ... CD
Croydon Municipal/Cherry Red (UK), 1940s/1950s/Early 1960s. New Copy
CD...$3.99 14.99
The great Hoagy Carmichael was one of the greatest American songwriters of the postwar years – a very down to earth spirit, yet one who was able to deliver a very subtle sense of poetry in his music, even when working with very everyday themes! This set's a great tribute to the range of ... CD
Fremeaux & Associates (France), 2024. New Copy
Beautifully jazzy takes on the music of Johnny Alf – maybe no surprise, given that Johnny always had a bit of jazz in the way he approached the bossa nova back in the 60s! Manu Le Prince does a really lovely job with the songs here – inflecting them with a richness and sense of ... CD
Click/P-Vine (Japan), 1980. New Copy
Accented vocals, compressed production, and sweet piano and keyboards – a great combination that bubbles together warmly in this lost bit of pop from the Swedish scene! Singer Meta Roos is perhaps better known for the slightly bossa vibe of her album from 1978, but here in a set from two ... CD
 



⇑ Top