Chantays : Dawning Sun (blue vinyl pressing) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Dawning Sun (blue vinyl pressing)

LP (Item 144067) Sundazed, 1966 — Condition: New Copy
❔
A never-issued album from Cali surf legends The Chantays – and a set that offers up a surprisingly nice twist at this late point in their career! The surf guitars of before are still very much in place, but the rhythms and production have changed in a nice way – reflecting that moment when surf records were becoming a strong pathway to Sunshine Pop – a mode that's echoed here especially on three surprising vocal numbers on the album too! The shift also makes for a subtle current of darkness that the group never had before – one echoed on the sun setting down on them in the cover, and which really deepens the feel of the record in a wonderful way. Titles include "A Dawning Sun", "Copenhagen", "Raylene", "Now That It's Over", "Take It Like A Man", "Sentimental Guitar", "Mr Moto", and "Outside's Inside Sad".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Sundazed, Mid 1960s. New Copy
A great addition to the classic work of The Remains – the legendary hard-rocking Boston combo who recorded famously for Epic Records in the 60s! This set features all sorts of unissued material from the group – some non-US singles, demos, and extra cool studio rehearsal work – ... LP, Vinyl record album
Reprise/Domino, 1972. New Copy (reissue)
One of the coolest, most unusual albums ever from the great John Cale – a set that draws strongly on his roots in the New York underground of the mid 60s – including time spent with Tony Conrad and other experimentalists! The record is almost all instrumental – and has Cale ... LP, Vinyl record album
Reprise/Domino, 1973. New Copy 2LP (reissue)
Beautiful work from John Cale – proof that in his years after The Velvet Underground, he was one hell of a talented solo act! The songs are all wonderfully written, and supported by orchestrations that are light, but which bring some overall depth to the record – a sense of class, but ... LP, Vinyl record album
Brainfeeder, 2024. New Copy
Kit Sebastian served up their great debut on the Mr Bongo label, and they maybe sound even more amazing here recording for Brainfeeder – with a rich style that mixes together all these currents of sound and style in a really great way! The music's layered with elements borrowed from ... LP, Vinyl record album
Soul Jazz (UK), Late 1970s/Early 1980s. New Copy 2LP Gatefold
A great look at some of the more creative work that grew out of the initial punk years in the UK – not the first wave of guys playing guitars on short, sharp, speedy songs – but the second that featured all sorts of really creative music experiments! There's definitely a bit of punk at ... LP, Vinyl record album
Beat Rocket, Mid 1960s. New Copy
Garagey grooves from the scene way up north – so far so, we hope that they had some heat in those garages! The work here is from deep in the archives of the legendary Kay Bank studios – a spot where some of the coolest work in the Twin Cities scene was recorded in the 60s – ... LP, Vinyl record album

Eddie Quinteros

Quinteros A Go Go
Sundazed, Early 1960s. New Copy
That's the young Eddie Quinteros on the cover – already a powerhouse during his teen years, and one of the hottest things going on the Bay Area scene of the time! Eddie's got this raw, rocking style that borrows a bit from the guitar-driven work of Chuck Berry, but also resonates with some ... LP, Vinyl record album
Reprise/Sundazed, 1966. New Copy (reissue)
A very cool later album from Duane Eddy – done at a time when his old wonderproducer Lee Hazlewood was having great success at Reprise Records – where he invited Eddy for an update of their previous style! The album's totally great – with more fuzz and distortion than previous ... LP, Vinyl record album

Ars Nova

Ars Nova (1968)
Elektra/Sundazed, 1968. New Copy Gatefold (reissue)
A wonderful little set of post-folk rock – with lots of lovely baroque touches! Ars Nova were really short-lived group – known for only two rare records – but they've got a sound that perfectly sums up a generation! There's a wonderful LA late 60s sound here – somewhere ... LP, Vinyl record album
Atlantic/Sundazed, 1969. New Copy (reissue)
The second tripped-out set from Ars Nova – an under-remembered late 60s group who had a great talent for blending together a range of different styles! At some level, Ars Nova share qualities with some of the harder-jamming groups of their time – but they've also got a sound that ... LP, Vinyl record album

Mugwumps

Mugwumps
Warner/Sundazed, 1964. New Copy (reissue)
Wonderful early work from Mama Cass and Denny Doherty – heard here in a pre-Mamas & Papas group from the east coast! The Mugwups have a sound that's quite unusual, even for their time – in that their approach is folk, but one that's electrified a fair bit before most other groups ... LP, Vinyl record album
Sundazed, Mid 1960s. New Copy
Never-issued work by a very cool Bay Area combo – one who deliver some very searing guitar-driven instrumentals – almost more Northwest garage at times than some of the surf rock promised in the title! Guitarist Richard Frost is young here, but already on fire at the level that would ... LP, Vinyl record album
 



⇑ Top