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LP (Item 1425) Atlantic, 1973 — Condition: Very Good+

An overlooked gem from early 70s Atlantic Records – a set from singer/pianist Wayne Davis – who was brought to the label by Roberta Flack, who also handled most of the arrangements! Davis is a lot like Flack at this early point in her career – a unique talent with a style that's all his own – somewhere in a space between soul and jazz, but deeply personal, and never content to just try to hang on anyone else's expectations! That individuality is what really makes the record great – and which also, since Davis never got the hit status as Flack, has also made it a bit hard to peg by the larger music market – who've maybe helped keep the set buried a bit over the course of time. Many of the tunes have this sort of gentle flow that's a bit like Robert's first two Atlantic albums – but a few more have some of the quirkier approach to arrangements that you'll find in Eugene McDaniel's work for the label – no surprise, maybe, as McDaniels helps out on one track. Flack also sings and plays a bit of keyboards – and titles include "Joel 2:28", "How's Mama's Baby", "I Like The Things About Me That I Once Despised", "I Love You So", and a cover of Sly Stone's "Somebody's Watching You".  © 1996-2019, Dusty Groove, Inc.
(Cover has some edge wear, bumped corner, and an unglued top seam.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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