This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Promo. Cover has edge wear, some creases, and a cutout notch.)
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Tracks include "Murder Was The Case" by Snoop in radio and LP versions; "What Would U Do" by Tha Dogg Pound in a radio version; "One More Day" LP version by Nate Dogg; and "Dollars & Sense" LP version by DJ Quick. 12-inch, Vinyl record
Doobie-doo doobie-doo! One of the catchiest Roy Ayers dancefloor tracks ever – a bassy bumping thumper that wonderfully skirts the line between clubby and funky! The track's got female vocals singing along with the hook – all in a mode that's quite similar to the most uptempo work by ... 12-inch, Vinyl record
Excellent lost bit of 80's groove! Roy Ayers wrote the track and assisted in production, and the cut's got a tight groove that's very much in keeping with Roy's best club-oriented material. There's a nice electric keyboard sound, and the chorus is sung by multiple female vocals, in a style that's ... 12-inch, Vinyl record