This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Bernard Herrman's classic spooky score to this great Hitchcock thriller. The music is often very intense, to perfectly suit the film's tone – and has that great jagged edge that Herrman brought to some of his other best soundtrack scoring. The tracks are long, and have a pretty edgy sound ... CD
Jerry Goldsmith's score for one of the greatest movies of the 70s – done with this spacious mix of jazzy elements that's completely sublime – and a bit like some of Johnny Mandel's best scoring too! The film is set in the 30s, but Goldsmith uses a lot of mature 70s elements in his ... CD
Alex North's wonderful score for the Elia Kazan production of Streetcar Named Desire – a soundtrack that's filled with a fair bit of jazz touches, and which almost comes off with an Elmer Bernstein sort of feel! The music's quite dark and evocative – wonderfully played throughout, with ... CD
A relatively dramatic score – written by Alex North, and conducted by Lionel Newman. The work is in the style of North's other work from the time – mostly serious, with a fair bit of string heavy passages and dark overtones. Cover has a photo of Yul Brynner (with hair!) kissing Joanne ... CD