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Dimension III

LP (Item 14100) RCA, 1973 — Condition: Very Good+
Gatefold

Three-dimensional magic from the great Jimmy Castor – an artist who'd already conquered the worlds of sweet soul, heavy funk, and Latin by the time of this release! Jimmy draws on all his rich background in the soul underground, and also seems to move with a new sort of sophistication, too – not in a way that's slick or commercial, but which shows Jimmy only deepening his ideas in the era of Marvin Gaye and Isaac Hayes – going for some bigger arrangements and ambitious production, while still staying true to his groovy self! There's a vibe to the record that almost reminds us of some of the creative productions that Harvey Fuqua was doing for RCA at the same time – with New Birth and The Nite-Liters – and Jimmy's maestro seems to be Gerald Thomas, who knows how to spin just the right mood for each different track. There's even a few instrumentals, which showcase Castor's great skills on tenor – ala Stanley Turrentine in a similar mode – and tracks include "How Beautiful You Are", "Helpless", "I'm Not A Child Anymore", "The Lone Ranger", "Revelation", "Whiter Shade of Pale", and the tasty "The Last Ole", which is sort of a rumbling sinister slow funk track.  © 1996-2020, Dusty Groove, Inc.
(Quadradisc pressing in the Unipak cover, with an unglued bottom seam.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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