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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Smooth early 80s work from Patti – a bit over the top at times, but nicely restrained at others. Despite the fact that Patti's in the hands of top Philly International talents like Gamble & Huff, and Dexter Wansel – the effort's still very much her own, in full diva mode over a ... LP, Vinyl record album
Not one of their most classic Philly LPs, but still a nice batch of soul tracks with the usual perfect Gamble-Huff production, and harmonies that definitely go the distance! Tracks include "What Am I Waiting For", "Give The People What They Want", "Rich Get Richer", ... LP, Vinyl record album
People's Choice have the rhythm – as they did right from the very start, when they were first cutting records as a late 60s funk combo in Philly! The style here is more late 70s club, handled with perfection by the team of Gamble & Huff – but the PC approach is still a lot more ... LP, Vinyl record album
One of Jean's classic Philly albums, recorded after she left Doug Carn, and started to make records as a solo artist. The record's got stellar production by Gamble & Huff and Dexter Wansel, and features a nice mix of up-tempo cuts and mellow ones. With the monster "Don't Let it Go to ... LP, Vinyl record album
A masterpiece of modern soul that shows The O'Jays working in a style that would become their dominant mode for the next decade – not as upbeat and club-oriented as in the mid 70s years, with a sweet, sophisticated modern soul approach that really let the group grow stylistically. Mellow ... LP, Vinyl record album
Not as hit-heavy as some of Lou's other albums for Philly International, but a nice batch of mellow jazzy soul tracks – with arrangements by Thom Bell, Bunny Sigler, Dexter Wansel, and others. Some of the tunes get nicely uptempo – hitting the warmer clubby modes that always worked ... LP, Vinyl record album
As perfect a summation of the Teddy Pendergrass genius as you'll ever hope to find – a magnificent maturation of that incredible sound he first forged with Harold Melvin & The Blue Notes, set forth in even more confident, sophisticated soul territory! As with the Melvin albums, there's a ... LP, Vinyl record album
Proof that the O'Jays fire can never die – because even though the instrumentation is slightly dated at times, this set sill has the group shining strongly on the vocal tip – hitting some great harmonies on the mellow cuts, and stepping out boldly on the more upbeat ones. Things are ... LP, Vinyl record album
Jean Carn was one of the best-ever singers to hit the Philly International label – a sophisticated diva with a style that would strongly influence soul music for the next 10 years, and a downright compelling voice that crafted some of the best modern soul of her generation. Although Jean ... LP, Vinyl record album
One of Lou Rawls' last albums for Philly International, and a really nice departure from the style of Lou's earlier hits for the label. It's got a sophisticated jazzy mode that has Rawls often singing with sparer piano backings than the fuller strings of the late 70s – in a way that's sort ... LP, Vinyl record album
Amazing work from Kool & The Gang – from a period when they were pushing past their tight early funky sound, into a super-dope mix of electronics and spacey jamming that is still pretty darn revolutionary today! Although you might think the album would be a bit disco by the date, it's ... LP, Vinyl record album
Classic groovers with a solid 80s groove – cut by Martha Wash and Izora Armstead before they went on to become The Weather Girls, and before they got a bit too campy for our tastes! Harvey Fuqua's producing, and the tracks include "Do You Wanna Boogie, Huh?", "Just Us", ... LP, Vinyl record album