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Here To Create Music
LP (Item 1403) Philadelphia International, 1980 — Condition: Near Mint-
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One of the most compelling later albums on Philly International – a killer mix of jazzy numbers that have a very different style than most of the other Philly work at the time! Even though Leon Huff had been banging around in soul music for about 15 years – most famously as half of the Philly soul superteam Gamble & Huff – this 1980 LP was his first effort as an artist, instead of producer. In Chicago, the big highlight is the jazzy stepping track "I Ain't Jivin, I'm Jammin" – which grooves along with a sweet two-step piano sound that's still quite popular on the dancefloor – but the record is filled with nice tracks including "Tight Money", which was done earlier by Reuben Wilson, the funky "Your Body Won't Move If You Can't Feel The Groove", the breezy instrumental "No Greater Love", "Tasty", "This One's For Us" and "Latin Spirit". © 1996-2024, Dusty Groove, Inc.
(Cover has edge wear, bumped corners, and is bent at the spine.)
(Cover has edge wear, bumped corners, and is bent at the spine.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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