Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Polygamy

LP (Item 140021) Fatimah/SeriE.WOC (Italy), 1984 — Condition: New Copy
(reissue)
Temporarily Out Of Stock

LP, Vinyl record album

✈
❔
Beautiful work from the Brooklyn scene of the early 80s – at a moment when it seemed like some of the more spiritual styles of the 70s had fallen out of mainstream favor, but were still being served up beautifully on obscure records like this! Mustafa Abdul Rahman isn't just a tenor player, as he works here as a fantastically majestic leader – leading a small combo through sounds that soar to the heavens on righteous energy – often with vocals from Odell Grier, and delivered with instrumentation from Ahmed Abdullah on trumpet, Richard Radu Williams on bass, Rafik Abdul Rahim on piano, Gregg Bufford on drums, and Babafumi Akunyon on congas and percussion. There's a spirit here that's a bit like Abdullah's own record of the period, and other players come into the mix from time to time – including a young Malachi Thompson, who plays trumpet on one track. Titles include the originals "Polygamy", "Silent World", and "God Is" – plus a take on Coltrane's "Some Other Blues", and the more traditional standards "Afternoon In Paris" and "One & Only Love".  © 1996-2023, Dusty Groove, Inc.
(A beautiful pressing – heavy vinyl and cover!)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Lloyd Miller

Middle East
East West/Ascensionale (Italy), Early 70s. New Copy (reissue)
A record that features the legendary multi-instrumentalist Lloyd Miller exploring the Middle East – but one that seems to also open up with some other cultural flavors as well! There's a bit less jazz here than some of Miller's other sets from the time – as instrumentation is very ... LP, Vinyl record album

Frans Elsen Septet with Piet Noordijk

Norway
Nederlands Jazz Archief (Netherlands), Early 70s. New Copy 2LP Gatefold
That's a Fender Rhodes on the cover, and there's lots of it on the record too – played by Frans Elsen with a wonderful sound, in a range of different settings – all heard here on rare tracks from the 70s that were never commercially issued at the time! Frans has a fantastic sound on ... LP, Vinyl record album

Teus Nobel Liberty Group

Pleasure Is The Measure
339 (Netherlands), 2022. New Copy 2LP Gatefold
There's a swirling image on the front cover here, and that really sums up some of the energy of the group of trumpeter Teus Nobel – players that wrap around each other beautifully, and find a way to create a cascading sense of energy that really drives the record home! Nobel's trumpet has a ... LP, Vinyl record album

Henri Texier

Amir
JMS (France), Mid 70s. New Copy (reissue)
A 70s classic from bassist Henri Texier – a musician who's been a key part of the French jazz scene for decades, and already had a very unusual approach in his early years! Texier is fantastic here on acoustic bass – but he's also already opening up in so many other ways too – ... LP, Vinyl record album

Milford Graves with Arthur Doyle & Hugh Glover

Children Of The Forest
Black Editions, 1976. New Copy 2LP Gatefold
A really amazing set of recordings, and a fantastic lost chapter in the career of legendary percussionist Milford Graves – material recorded in his home basement studio in the months before his classic album Babi – and done in a style that's often more freewheeling and unbridled than ... LP, Vinyl record album

Ken Vandermark & Hamid Drake

Eternal River
Corbett vs. Dempsey, 2023. New Copy
The music of Don Cherry, but delivered in a completely different way than his original recordings – served up here as a beautiful series of duets between Ken Vandermark on tenor and Hamid Drake on drums and percussion! The pair have a sympathy for each other that's amazing – and the ... LP, Vinyl record album

Giovanni Tommaso

Indefinitive Atmosphere
SerMi/Sonor (Italy), 1970. New Copy (reissue)
An obscure solo set from Italian bassist Giovanni Tommaso – best known for his work in the groundbreaking fusion group Perigeo in the 70s, but heard here in an obscure jazzy set at the start of the decade! The record's got plenty of surprises along the way – a well-recorded date that ... LP, Vinyl record album
Corbett vs. Dempsey, 2002. New Copy
Unreleased work from the glory days of the Peter Brotzmann Chicago Tentet – a legendary free jazz ensemble that's playing here at the height of their powers! The group have a vibe here that's wonderful – both as playful and as sinister as the title might imply – stretched out to ... LP, Vinyl record album

Don Cherry/Dewey Redman/Ed Blackwell/Charlie Haden

Old & New Dreams (Black Saint)
Black Saint (Italy), 1977. New Copy (reissue)
The first album from this key group of Ornette Coleman alums – an all-star combo that features work from Don Cherry on pocket trumpet, Dewey Redman on tenor, Charlie Haden on bass, and Ed Blackwell on drums! The sound here is quite Ornette-inspired at times – with a definite late 70s ... LP, Vinyl record album

Ulrich Gumpert, Gunter Sommer, Ernst Ludwig Petrowksy, & Others

Snapshot – Jazz Now Jazz Aus Der DDR
FMP/Song Cycle (UK), 1979. New Copy 2LP Gatefold (reissue)
Way more than a snapshot – as the double-length set acts more like a full portrait of the European free jazz scene at the time – with special contributions from a wide array of avant German musicians! The feel here is very FMP – especially in the mode of that label's live ... LP, Vinyl record album
International Anthem/Nonesuch, 2021. New Copy
A further stunning chapter in the career of guitarist Jeff Parker – a musician who's just grown in leaps and bounds on a succession of records for the International Anthem label! Here, Jeff plays solo guitar throughout – in modes that occasionally hearken back to his earlier material ... LP, Vinyl record album

Haki R Madhubuti/Afrikan Liberation Arts Ensemble

Medasi
Rise/P-Vine (Japan), 1984. New Copy (reissue)
The second of two spiritual classics from Haki R. Madhubuti – issued nearly a decade after the first, but still very much in a positive and righteous 70s vein! Haki's again working with arranger Agyei Akoto, a saxophonist we only know from these albums, but an extremely visionary musician ... LP, Vinyl record album
 



⇑ Top