This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Elmer Bernstein's score for the sexy late 50s film based on Erskine Caldwell's book – done with a mix of southern styles, jazzy bits, and fuller orchestrations! Bernstein's music of the 50s is all just about as perfect as you can get for soundtrack scoring – and like some of his other ... CD
Nice tune! The groovy main theme to this one far outlived the film, and showed up all over the place in the 60s – on instrumental theme records, TV spoofs, and other oddball sources. The rest of the score's pretty great, too – and features some compelling orchestrations by Bernstein, ... CD
A rare soundtrack, presented here for the first time ever – with music that wasn't even presented properly in the movie Busting, an obscure cop buddy film that starred Elliot Gould and Robert Blake! Billy Goldenberg's music is a mix of familiar cop show grooves, and more sophisticated ... CD
A beautifully dark score for Orson Welles' The Trial – penned by Jean Ledrut, heavy on strings, and with great influence from Albinoni's "Adagio In G Minor"! That piece begins the soundtrack, but played with some great cinematic dramatic inflections – then original music by ... CD
Audrey Hepburn's back in Paris again – fooling around with another older man! This time it's William Holden, but fortunately Nelson Riddle's along for the ride to keep the music nice and groovy. Most of the stuff on here's kind of Frenchy instrumental, with the cliched kind of sound you'd ... CD