A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same sessions as the JBs album Damn Right I Am Somebody – Payback has the group backing James with amazing intensity, playing on and on for very long stretches, improvising jams that perfectly match the vocals, which are often as improvised as the music. The most famous example of this style at work is "The Payback", which begins with a simple head arrangement, then has James riffing off on politics and power, letting the band come in at just the right moment, dropping solos that are still some of the best ever recorded on a funk album. The rest of the album's equally great, and even though most tracks run close to 10 minutes, and the album's a 2LP set, most of the material stays fresher than any 3 minute funk record we've ever heard. Some tracks are separated by these cool voices that rise up as seques – and titles include "Stone To The Bone", "Mind Power", "Take Some Leave Some", and "Shoot Your Shot". (Original pressing. Cover has some wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.