Heavy funk from Jimmy McGriff – a monster set of grooves that ranks with his best of the late 60s! The tracks are short and sock-hard – Jimmy wailing on Hammond, over rhythms that have plenty of sharp edges, and lots of nice drum work – all recorded in a mode that's a heck of a lot rawer than some of his other records! The album brings together all the rough power of Jimmy's years at Sue Records with the funkier grooves of his 70s work – and features a killer combo that includes tenor from Fats Theus, alto from Danny Turner, trumpet from Blue Mitchell, guitar from Thornel Schwartz, and drums from both Mel Lewis and Grady Tate. Titles include "The Worm", "Blue Juice", "Lock It Up", "Think", "Heavyweight", and "Girl Talk". (Cover has light wear, heavier wear on the spine, and some aging.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.