This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Way more than just a bop-heavy set – a landmark record that shows a side of the Chicago scene that hardly ever made it on record! In the years after Charlie Parker passed away, tributes to his greatness were a very common thing in local jazz scenes across the US. This is a prime example of ... CD
A great little record – not only for the early trumpet work of Ira Sullivan, but also for the presence of tenorist Nicky Hill – an under-recorded legend from the Chicago scene of the 50s! The set features Sullivan in extremely tight bop formation – working on longer tracks that ... CD
Includes the songs "The Dipsy Doodle", "Dance Of The Reed Flutes", "Careless Hands", "Lullaby", "Dig Me, Honey", "My Reverie", "The Lonesome Road", "I'm Beginning To Miss You", "A Study In Brown (Theme Song)", ... CD
One of the grooviest albums of the 60s – a sublime blend of jazz, bossa, and easy – and a set that definitely lives up to its title! The album's probably the most perfect realization of the unique groove that Gary McFarland was going for back in the day – a mix of vibes, ... CD
An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a ... CD
An exquisite bit of modernist hardbop – recorded by Freddie Redd with the same sort of sound that he brought to the classic Connection recording, also done for Blue Note! As with that session, Redd is working here with alto from a young Jackie McLean's on alto sax – really at the top ... CD
Hard wailing! Poppa Lou's caught right at the height of his early Blue Note powers here – recorded in 2 different groups on this set of unreleased sessions from the early 60s! Both sets have Lou in a guitar/organ soul jazz setting – with backing by Grant Green on guitar, and either ... CD
Haunting stuff – and one of June Christy's darkest albums! June's singing here with her old boss, Stan Kenton, at the piano – no other real backing, just the pair of them working together in a session that's uniquely stripped down for the time. June's vocals are frail and tender ... CD