This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the most fantastic albums by the JBs – a masterpiece of funky jamming, tight instrumentation, and that free yet tight style of the James Brown 70s years! The tracks are longer than on some of the earlier singles – especially the 8 minute jammer "(It's Not The Express) It's ... LP, Vinyl record album
We used to pass this one up, because it was later, and hence not as good as the other Stax stuff. But then we discovered the nice extended version of "Feel Like Makin' Love", which is a nice solid groover. Also includes the tracks "Use Me", "I'm Gonna Have to Tell ... LP, Vinyl record album
Killer Four Tops material from the early 70s – and a record that proved that they didn't need to be on Motown to still keep churnin' out the hits! The sound is sophisticated, and pushes past the standard format of the group's good-selling records for Motown – hitting a classic AM Radio ... LP, Vinyl record album
Excellent early 70's compilation of some of James' best funky singles from his late King and early Polydor years, and a record that features a lot of cuts that didn't necessarily show up on LP that easily. Includes such massive groovers as "Make It Funky Part 3", "Sex Machine", ... LP, Vinyl record album
Very hip work from Booker T & The MGs – an album that has them standing out under a pier by the ocean on the cover – clearly a long way from their Memphis roots! The sound here still has a good dose of those roots, though – but it also shows them picking up some hipper ... LP, Vinyl record album
A great collection of soul, mostly from the legendary Vee Jay label in Chicago, plus a few more classics from New Orleans. Titles include "A Million To One" by Jimmy Charles, "You Can Make It If You Try" by Gene Allison, "Ya Ya" by Lee Dorsey, "All In My ... LP, Vinyl record album
4 Salsoul classics, given the extended remix treatment for this greatest hits sampler. Titles include the Larry Levan mix of "I Got My Mind Made Up" by Instant Funk, Shep Pettibone's mixes of "Call Me" and "Let's Celebrate" by Skyy, and Francois Kevorkian's mix of the ... LP, Vinyl record album
Symphonic soul from The Supremes – a set that still has the trio working with the legendary Holland-Dozier-Holland team, but with a full set of orchestral backings that help them hit even more class and sophistication than before! The ballads have these really lush arrangements – never ... LP, Vinyl record album
A pretty nice Andre Previn soundtrack for this late Billy Wilder film that starred Jack Lemmon and Walter Matthau – plus the young Judi West, who sings a version of "You'd Be So Nice To Come Home To" on the album. The rest of the tracks are split pretty evenly between light jazzy ... LP, Vinyl record album
Massively groovy work from Chico Hamilton – one of his standout swingers for Impulse Records in the 60s, and a set that really showcases all the changes in music he'd made for the decade! The set features some wonderful reed work from Jerome Richardson and Charlie Mariano, plus some ... LP, Vinyl record album