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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A bit funk, a bit rock, and a bit soul – Sweet Apple proudly followed in the tradition of similar Columbia acts like Sly & The Family Stone or The Chambers Brothers, although they never lasted long enough to get the fame of either of those groups. Most tracks have vocals, which are ... LP, Vinyl record album
Great stuff! Although a live album, Gratitude is one of Earth Wind & Fire's greatest from the mid 70s – a very tight batch of grooves that proves that Maurice White & Co. could play just as well on stage as they could in the studio – and the noise of the crowd going wild is ... LP, Vinyl record album
Bill Withers' second "best of" collection for Columbia – and like the other one, this set features tracks from his earlier years at Sussex, plus some numbers cut for Columbia. Great stuff throughout – from the more recent smooth mellow soul of "Just The Two Of Us" ... LP, Vinyl record album
This one has the Chambers working in a number of styles, sweating hard in a gritty version of Otis Redding's "I Can't Turn You Loose" and to some funky percussion and call-and-response vocals on "Do Your Thing", and grooving softly on "Guess Who" and others. Other ... LP, Vinyl record album
Boz Scaggs at the height of his early powers – still very much in the best blue-eyed soul style that first got him noticed by CBS, but also working with a stronger, richer, prouder sound that's really great! A number of the tracks on the set were recorded in Muscle Shoals, with superb small ... LP, Vinyl record album
Shuggie Otis' second appearance on record (the first was with Johnny Otis on the Cold Shot LP) – done in a studio blues jam headed by Al Kooper, who's more than willing to back off and let Shuggie get plenty of space to do his own thing! The record has Shuggie really going to town on a few ... LP, Vinyl record album
The Sweet Sweet Sweet Inspirations get the Gamble Huff treatment – and as it worked with Archie Bell, so it works with these guys – really well! The Philly sound gives the girls the right push that they need to keep from being just another snoozy Atlantic stable band, and it pushes ... LP, Vinyl record album
A double album recorded for ABC after Charles left Warner Brothers and the 103rd Street Rhythm Band behind – but still very much an extension of that group's later stretched-out funky records! Nice long cuts with grooves that are a little bit more jazzy than his earlier 60's stuff. Tracks ... LP, Vinyl record album
Curtis Mayfield's lasting classic – and an album that the world will remember forever! Apart from being his hugely successful entry into the blacksploitation soundtrack field, this album's also a monster set of grooves that includes some of Curtis' funkiest work ever – a record that ... LP, Vinyl record album