Charlie Parker : Charlie Parker -- Live In Sweden 1950 (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Charlie Parker -- Live In Sweden 1950

CD (Item 134428) Dragon, 1950 
Out Of Stock

CD

...

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Josh Johnson

Unusual Object
Northern Spy, 2024. New Copy
A solo record, but one that's got the sound of more things at once than you might expect – as saxophonist Josh Johnson has this great way of processing the sound from his horns, then layering them with samples and other elements too – but all in a way that's never gimmicky, and really ... CD
India Navigation/Luaka Bop, 1977. New Copy 2CD
One of the most fantastic Pharoah Sanders albums – and one that we'd rate head and shoulders above most of his other work! You rarely see this one, which is a shame, because it's not only a beautiful spiritual masterpiece, but it's also got a sound that's very unique, and a nice shift from ... CD

Buddy Rich/Alla Rakha

Rich A La Rakha
World Pacific/Modern Harmonic, Late 1960s. New Copy
A very groovy album from jazz drum legend Buddy Rich – a set that's very different than anything else he ever did, including his other groovy albums from the 60s! The album's a surprisingly strong blend of jazz and Indian music – Rich on drums, and Alla Rakha on tablas – working ... CD
Philly Jazz/Strut (UK), 1978. New Copy 2 CDs
An amazing album from Sun Ra – a set that's got some of the same soulful focus as Space Is The Place, and a really surprising sense of groove on many moments! The record's actually a bit funky – if you can believe it – and was recorded with electric keyboards, bass, and guitar ... CD

Tomasz Stanko

Wooden Music II
Astigmatic (Poland), 1972. New Copy
Beautiful improvised work from legendary Polish trumpeter Tomasz Stanko – work that's much more powerful and bracing than the atmospheric recordings he would do for ECM in later years! The work here comes right at a key moment for free jazz on the European scene – and Stanko works with ... CD
Empire/P-Vine (Japan), 2024. New Copy
A stunning jazz set from the LA scene – and one that's got even more spiritual, forward-flowing energy than some of the studio sessions recorded by Terrace Martin! The performance continues Martin's strong move into jazz over the past decade plus – with lots of alto solos from the ... CD

Entr'Acte

Soigne Ta Droite
Audiographic, 2019. New Copy
A bold, bracing ensemble of improvising musicians from both sides of the Atlantic – and one that features some surprising electric elements too! The lineup includes trumpet from Nate Wooley, alto from Mette Rasmussen, and reeds from Ken Vandermark – balanced with core sounds from ... CD

Ken Vandermark & Paal Nilssen Love

Lions Have Eaten One Of The Guards
Audiographic, 2015. New Copy
Ken Vandermark and Paal Nilssen-Love are no musical strangers to each other – and although they've played together in various groups and lineups over the years, their musical sympathy is often best heard in a more intimate set of duets like this! Vandermark is, as always, a completely ... CD

Billy Cobham

Life & Times
Atlantic/Wounded Bird, 1976. New Copy
Full-on fusion from the great Billy Cobham – a set that has the drummer working at his most pyrotechnic, with amazing action on the kit that just about none of his contemporaries could ever hope to touch! Some moments have Cobham really taking off into the skies, right from the start of a ... CD

Herb Ellis/Laurindo Almeida/Johnny Gray

Three Guitars In Bossa Nova Time
Epic/Wounded Bird, 1963. New Copy
CD...$6.99 11.98
A really really wonderful little record – one that's far more than you might guess from it's slightly gimmicky title! The session's clearly done in a mode to resonate with the Charlie Byrd or Stan Getz bossa work of the early 60s, but it's also got a slightly offbeat quality that makes it ... CD
Trojan/Doctor Bird (UK), Late 1970s. New Copy 2CD
Four classic roots albums, all produced by Niney The Observer – one of which appears here on CD for the first time ever! The set begins with Slave Call – a really great 70s album from The Ethiopians – done in a strong roots style that's given lots of great production touches from ... CD
 



⇑ Top