This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Ray Parker's definitely a single man at this point in his career – leaving behind his earlier role in the Raydio group, and working here as writer and producer on a string of 80s hits! The album follows strongly in the catchy, crossover mode of Parker's work from the middle part of the ... LP, Vinyl record album
Some of the warmest Memphis soul ever recorded – a really classic set from The Ovations, done in a style that's really unique! The vibe here is different from the sound of Stax, as lead singer Louis Williams has a lot of Sam Cooke in his style – a warmly bubbling quality that's as ... LP, Vinyl record album
One of a great run of grooves from the legendary team of bassist Eldee Young and drummer Redd Holt – a smoking batch of instrumentals done in the best Chicago soul style of the time! Young and Holt got their start in the early trio of Ramsey Lewis – but here, they've fully expanded to ... LP, Vinyl record album
An incredible album – quite possibly our favorite record by the JBs, ever! The set starts with a wonderful conversational bit – rapping and musing on the idea of "Damn Right, I Am Somebody" – showing the group in a political and righteous mode for the first time ever. ... LP, Vinyl record album
Although these days, Parliament's best remembered for their classic studio albums, back in the 70s, the real P-Funk experience was the incredible live shows served up by George Clinton and the group! George, Bootsy, and the rest were undeniably at the top of their game at the time – rolling ... LP, Vinyl record album
2LP set that brings together early R&B sides recorded for the Savoy label – not really rock and roll as the title might imply, but a good set of cuts that's sort of an overview of the label's classic hits in the pre-soul universe! Includes the sublime "Bad Boy" by The Jive ... LP, Vinyl record album
Reedman Harold Alexander cut very few albums as a leader – and this is one of the best! You're likely to hear Alexander's work in the background on other sessions, but at the time of this record he was also a visionary leader – perfect for the open, freewheeling vibe allowed by the ... LP, Vinyl record album
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists ... LP, Vinyl record album
An overlooked funky gem from Lou Donaldson – a later date for Blue Note, done in a style that's a bit expanded from his small combo sets of the 60s – but still filled with plenty of soul and groove! The lineup features core key players Leon Spencer on Hammond, Melvin Sparks on guitar, ... LP, Vinyl record album