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Dee Dee Bridgewater (1980)

LP (Item 13414) Elektra, 1980 — Condition: Near Mint-
$9.99 ...

LP, Vinyl record album

(€9.42 || £7.93 || ¥1120) (approx.)

One of Dee Dee Bridgewater's few truly soul-based records – recorded during a brief break from jazz at the end of the 70s, and done with some sweetly grooving from Thom Bell! The sound here's a bit like that of some of the later Philly International work from the same stretch – a maturing style that still has a bit of the earlier groove in place, yet which also takes on a more sophisticated approach, especially on the mellower cuts and ballads. In a way, the format's a bit like that used for Jean Carn or Phyllis Hyman at the time – and like those singers, Dee Dee seems to work best here when she's got a nice gentle groove to bring out the jazzier inflections in her voice! Titles include "When You're In Love", "That's The Way Love Should Feel", "Give In To Love", "Lonely Disco Dancer", "One In A Million Guy", and "Jody (Whoever You Are)". (White label promo, including the printed inner sleeve. Cover has light wear.)  © 1996-2017, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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