Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Maytals – Essential Artist Collection

CD (Item 133421) Trojan, Late 60s/Early 70s — Condition: New Copy
2CD
Temporarily Out Of Stock

CD

✈
❔
Definite essential work from The Maytals – the legendary group led by Toots Hibbert, and who really helped transform the sound of Jamaican music with recordings like this! There were certainly other soulful groups in their generation on the Kingston scene, but The Maytals really helped give rocksteady and early reggae the right sort of inspiration to reach a larger global audience – crucial work that's collected here in a well-done selection of recordings from their key earlier years with producer Leslie Kong – standard-setting music that still holds up fantastically over the years. 2CD version features 50 tracks in all – titles that include "Johnny Cool Man", "School Days", "Don't Trouble Trouble", "We Shall Overcome", "Monkey Man", "Do The Reggay", "54 46 Was My Number", "One Eye Enos", "Pressure Drop", "Peeping Tom", "She's My Scorcher", It's You", "Just Tell Me", "It Must Be True Love", "African Doctor", and "Watermelon".  © 1996-2023, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Trojan, Mid 60s. New Copy 2CD
The Skatalites are a group who were one of the key forces in Jamaican music in the 60s – a crack ensemble of musicians who really helped the scene in Kingston break strongly from other Caribbean cities at the time – finding a groove that would forever set the path towards rocksteady and ... CD
Trojan, Late 60s/1970s. New Copy 2CD
A mighty tribute to the genius of one of the greatest producers of all time – a figure who helped not only shape the sound of Jamaican music from the late 60s onwards, but also influence a fair bit of the rest of the world as well! The set's a well-chosen collection of material from a range ... CD
Trojan, Late 70s/Early 80s. New Copy 3CD
A great look at a really magical moment in Jamaican music – one in which the influence of the big UK audience was felt in styles back home – and also in which some shifting modes in American soul also helped create some new modes of expression! Lovers Rock is a mellower, gentler ... CD
Pressure Sounds (UK), Mid 70s. New Copy
A wealth of rare work from Jamaican studio genius Bunny Striker Lee – unusual cuts and unreleased material – all of it a further testament to his legendary ear for a mindblowing sound! These aren't half-baked cuts, or material that deserved to fall to the cutting room floor – ... CD
Trojan/Brook (Germany), Late 60s. New Copy
CD...$3.99 14.99
Late 60s magic from The Paragons – one of the most important trios on the Jamaican music scene at the time! The Paragons never got the same global fame as contemporaries The Wailers, but they cut some equally wonderful music – damn soulful, given the harmonies – and with that ... CD

Dennis Alcapone

Wake Up Jamaica
Trojan/Brook (Germany), Early 70s. New Copy
CD...$3.99 14.99
Standard-setting sounds from the Jamaican scene of the 70s – material that not only helped cement the fame of the mighty Dennis Alcapone, but which also helped to make the dee jay style a key part of the new wave of styles in reggae! As you might guess from the cover and title, there's some ... CD

Dennis Brown

Africa
Trojan/Brook (Germany), Early 70s. New Copy
CD...$3.99 14.99
A wealth of early work from one of the most important voices in reggae during the 70s – the mighty Dennis Brown, working here with help from producers Derrick Harriott and Niney The Observer, in the years after he left Studio One! There's also work that Dennis did with The Now Generation ... CD
Trojan/Doctor Bird (UK), Late 60s. New Copy 2CDs
Two rare compilations from Trojan Records – back to back in a single set, with an insane number of bonus tracks too! Both records capture that time when the groove was moving from rocksteady to early reggae – still yet to hit global fame, which makes for a really nice mix of music from ... CD

Toots & The Maytals

Hold On
Trojan/Brook (Germany), Late 60s. New Copy
CD...$3.99 14.99
A heady batch of classics from Toots & The Maytals – work from the rocksteady years that really helped set the tone for countless reggae work in years to come – and which also helped Jamaican music really reach out at a more global level – especially on the London scene, where ... CD
Trojan/Doctor Bird (UK), Late 70s/Early 80s. New Copy 2 CDs
Four fantastic albums from the legendary Prince Far I! The set begins with the classic Free From Sin – Great early work from Prince Far I – a stunning mix of reggae and dub, with a righteous quality that really gives the prince his title amongst 70s Jamaican royalty! Backing is by a ... CD
Trojan/Doctor Bird (UK), Early 70s. New Copy 2CD
A pair of rare albums from the great Derrick Harriott – with lots of bonus tracks that are appearing on CD for the first time! The set begins with the stunning Greatest Reggae Hits – a set that focuses strongly on the amazing vocal range of Derrick Harriott – a singer who can ... CD

Lee Scratch Perry & The Upsetters

Return Of Django/Eastwood Rides Again
Trojan/Doctor Bird (UK), Late 60s. New Copy
Two killer Trojan albums from Lee Perry & The Upsetters – back to back on a single CD! First up is Return Of Django – an early moment of genius from the legendary Lee Perry – and a set that uses Django imagery from Italian westerns to serve up a "bad boy" version of ... CD
 



⇑ Top