Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Choral No Nagisa – Day In The Paradise (Japanese paper sleeve edition)

CD (Item 133319) Trio/Ultra Vybe (Japan), 1983 — Condition: New Copy
Out Of Stock

CD

✈
❔
The cover here is slightly tropical-looking, and that's reflected a bit in the music – as the set expands from the more familiar trio modes of pianist Masaru Imada, to bring in help from a key batch of American musicians, both electric and acoustic! Imada handles a bit of Fender Rhodes next to the piano, and guitarist Kazumi Watanabe adds a bit of work to the record as well – in the company of a core trio that features Will Lee on electric bass and Steve Gadd on drums – topped with work from David Sanborn on alto and Randy Brecker on flugelhorn! The set's got some added percussion on most tracks too – and the approach isn't entirely fusion, but more of the jazz we know from Imada, warmed up a bit by the other group members. Titles include "Blue Sunset", "Samba Domingo", "Sky Sailing", "Mermaid Princess", "Water Wonderland", and "Love Lagoon".  © 1996-2023, Dusty Groove, Inc.
(Part of the Nippon Jazz Spirits series!)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Trio/Solid (Japan), 1981. New Copy
Masaru Imada gets a bit tropical here, but also picks up some great help on horns – thanks to guest work from the Brecker Brothers, whose performance on a few tracks really help give the set a strong soul fusion vibe! The core sounds come from Imada's quintet – which has the leader ... CD
Trio/Solid (Japan), 1982. New Copy
Japanese pianist Masaru Imada is in his best fusion mode here – working with great help from American players Tom Browne on trumpet, Grover Washington Jr on soprano and tenor sax, Steve Khan on guitar, Anthony Jackson on bass, and Steve Jordan on drums! Imada plays both acoustic and electric ... CD
Planets/BBE (UK), 1977. New Copy
One of those really special piano albums from the Japanese jazz scene of the 70s – a record that's overflowing with new ideas and imagination, all captured with a really wonderful ear for sound as well! Masaru Imada plays a Bosendorfer grand, which has a really resonant quality, even when he' ... CD

Walt Dickerson

Walt Dickerson 1976
Why Not/Ultra Vybe (Japan), 1976. New Copy
A rare set from vibist Walt Dickerson – one of the most compelling jazz musicians to ever lay hold of a set of vibes! The album was originally issued as a Japanese-only session by the Why Not label in the mid 70s, and it features Dickerson playing on 5 tunes that have a slightly different ... CD

Air

Air Raid
Why Not (Japan), 1976. New Copy
A seminal 70s set from the legendary Air trio – and one of their wonderful non-American dates from the early years – material recorded overseas, where this famous AACM trio was maybe getting more attention than in the US! The album was originally a Japanese-only album, and it's easily ... CD
Alfa/Ultra Vybe (Japan), 1989. New Copy
A great Jazz trio, and a great later showcase for the lyrical talents of Hank Jones on piano – as the group here really offers Hank that perfect blend of warmly open space and gentle swing that always seems to bring out his best! Jones is matched with Mads Vinding on bass and Billy Hart on ... CD

Masaru Imada

Now
Three Blind Mice/Craftman (Japan), 1970. New Copy
Subtle brilliance from Japanese pianist Masaru Imada – a record that bubbles beautifully with some spare and personal touches – sometimes slightly free, sometimes wonderfully melodic – always with a strong sense of vision and energy! The group here features Imada on acoustic ... CD

Masaru Imada

Remember Of Love
Three Blind Mice/Craftman (Japan), 1978. New Copy
A beautiful little record – the sort of set that shows just how far Japanese pianists like Masaru Imada were moving past familiar trio modes in the 70s! There's this open sort of flow that comes across right away – certainly some of the sentiment hinted at by the title, but also some ... CD
Art Yard/P-Vine (Japan), 1972. New Copy
Fantastic material from Sun Ra – a never-heard 1972 performance at Slugs, and one that captures the group at their most spiritual point! The core of the set is the track "I Roam The Cosmos" – one of the more obscure Ra compositions, and a title that appears here for the first ... CD
Nadja (Japan), 1971. New Copy 3CD
An incredible performance from one of the greatest saxophonists to ever grace the Japanese scene – a player with a sense of power, tone, and phrasing that rivals avant greats like Albert Ayler, Archie Shepp, or David Murray! Yet Karou Abe is also a player all unto himself – with a ... CD

Sonny Stitt

Soul Girl
Paula/Ultra Vybe (Japan), 1973. New Copy
An overlooked 70s gem from the legendary saxophonist Sonny Stitt – recorded in Chicago, and with a hip vibe that ties things very much to the best spirit of the Chess/Cadet world of the time! There's two different approaches used on the record – and on the first four, the group is a ... CD
Mondo/Ultra Vybe (Japan), 1971. New Copy
An excellent album that features some great Fender Rhodes work from the mighty Frank Cunimondo! Frank's more famous for his oft-sampled work with singer Lynn Marino – but this album's a lot more obscure, and features Frank doing amazing work on electric and acoustic piano, aided and abetted ... CD
 



⇑ Top