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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Small group material from Lester Youn sessions of the 50s for Verve – with additional solo work from Harry Edison on trumpet, Oscar Peterson and Hank Jones on piano, and Barney Kessel and Herb Ellis on guitar! LP, Vinyl record album
No real date or personnel on this one, and the album's a live set recorded, most likely, at some time in the 50s. The quality of the recording isn't great, and you hear a heck of a lot of crowd noise – but the work's an interesting document of Pres during the period, as the tunes are all ... LP, Vinyl record album
As beautiful an illustration of the genius of Lester Young as you could ever hope to find – tight, short small group numbers recorded with a keen focus on Young's amazing tone – all served up with beautiful sound throughout! The cover bills the set as being by Young and his orchestra, ... LP, Vinyl record album
Great long jam session work, very heavy on tenor sax – with appearances by Stan Getz, Lester Young, Coleman Hawkins, Illinois Jacquet, and Flip Phillips – plus Sonny Stitt on alto! Tracks are nice and long – and titles include "Stuffy", "Merry Go Round", and ... LP, Vinyl record album
Great large group material from Gerry Mulligan – and a record that definitely defines the sound of his famous Concert Jazz Band of the early 60s! The group features a four part sax section – headed by Mulligan, with other players that include Zoot Sims on tenor, Gene Allen on baritone, ... LP, Vinyl record album
Kind of a reprise of earlier days – one that reunites Krupa with Anita O'Day and Roy Eldridge, as the group runs through some material from earlier years. Arrangements are by Quincy Jones, Billy Byers, and Nat Pierce – and the set actually swings more cleanly than some of Krupa's ... LP, Vinyl record album
The tenor of Stan Getz meets the baritone sax of Gerry Mulligan – and then they switch things around for half of the record, as Stan picks up the baritone and Mulligan takes on tenor! Gerry always seems to open up whole new sides of his playing when sharing the leader spotlight with another ... LP, Vinyl record album
One volume of a four volume set, though Verve didn't number them. Recorded in concert one night in Denmark, this set is a Norm Granz production that transplants the JATP crew to Europe. While some of the other volumes feature larger groups blowin' and riffing on standards, this one has a small ... LP, Vinyl record album
An overlooked side of the Oscar Peterson genius of the 50s – an album of laidback vocal tracks that are a great change from his better-known instrumental work! Peterson's not the sort of singer to belt out a tune at the top of his lungs – nor cast it in shimmering gossamer like some of ... LP, Vinyl record album
A sharp-edged session of tremendous trumpet and tenor interplay – served up by the legendary quintet of Gianni Basso and Oscar Valdambrini! The album's got a sound that's as hip as it looks – a great approach to 50s modern jazz, done in a style that's equally influenced by west coast ... LP, Vinyl record album