This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Still very much in the best mode as the rest of their 70s classics for Mercury Records – a sweet mix of ensemble funk with some upbeat styles that were perfect for the clubs! The group's shifted a bit by the time of this one and only album for Arista, but they've still got most of their best ... LP, Vinyl record album
Maybe the last great album in the Ohio Players run for Mercury in the mid 70s – a set that's every bit as smooth, sexy, and funky as their other major label efforts from the time – and one that continued to refine the grittier funk of their roots! While the Players might be remembered ... LP, Vinyl record album
A well-titled set – as it's the mid 70s, and the Ohio Players were certainly turning out a lot of gold! Their move to Mercury Records from the smaller indie Westbound was a real winning move – as it gave them a smoother soul feel that only expanded their groove, not restricted it! ... LP, Vinyl record album
A collection of funky tracks recorded by The Players when the were with Westbound, but released later, when they hit Mercury. Sort of a "cleaning house" effort, and not really a unified album, but that doesn't stop it from having some nice moments. Titles include "Introducing the ... LP, Vinyl record album
One of the biggest albums ever for Ohio Players – a set that took their earlier funk sound and targeted firmly at the mainstream with a lean, mean groove that a million other groups copied at the time! There's still plenty of the soul of the early years in the group's approach here – ... LP, Vinyl record album
Great work from the Ohio Players – and proof that moving to a big label could be a good thing for a funky group! This was the band's first album for Mercury – and although one might have the temptation to say that the label cut down the radical funk sound of the trippy Westbound years, ... LP, Vinyl record album
A fantastic overview of the early years of the Ohio Players on Westbound Records – material that's a lot trippier than their late 70s hits, and which has the group maybe closer to Funkadelic at times than you might expect! Given that the Players here are right out of their earliest psych ... LP, Vinyl record album
Funky madness from the early version of the Ohio Players! The album features work by the group that was most likely recorded before their move to Mercury, collected here in an album that's right up there with their trippiest work for Westbound. Highlights include the heavy groovers "Food ... LP, Vinyl record album
Duets between Jerry Butler and Brenda Lee Eager – done as serious, adult oriented soul tracks, one side of the album in an optimistic "The Love We Have" setting, the other in a sadder "The Love We Had" setting – both of them handled in a mode that's far far different ... LP, Vinyl record album
Overlooked genius from Brook Benton – moving past his simple hit style here to work with arranger Belford Hendricks in a set of tunes that's a bit more "singerly". The tracks are mostly ballads and slower, sadder numbers – sung by Brook in a style that's slightly emotive, but ... LP, Vinyl record album
Later Bar-Kays at their best – still plenty funky, but also working in a smoothly soulful style that became the group's trademark sound at Mercury! The album's got a real bass-heavy appeal from the start – working in a mode that shares a lot with Cameo, The Gap Band, and some of the ... LP, Vinyl record album
A great one from the Gap Band – funky gems and sinister groovers – the best of both worlds for the group! Tunes like "Burn Rubber On Me (When You Want To Hurt Me)" and "Humpin" packed 80s dance floors for good reason, and put the band in steady rotation, while ... LP, Vinyl record album