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Funky Christmas
LP (Item 13051) Cotillion, 1976 — Condition: Near Mint-
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One of the greatest Christmas albums of the 70s – a landmark assemblage of some of the hippest soul music talents of the time – offering up a host of different tracks that have gone onto become classics over years! Most artists were working for Atlantic/Cotillion Records at the time, but the set seems to bring in a few surprising guest stars too – and the big highlight is the album's work by a young Luther Vandross – the perennial classic "May Christmas Bring You Happiness", a 70s Christmas tune on a par with "This Christmas", and his mellower "At Christmas Time". Other tracks are mostly standards, and titles include "The Christmas Song" and 'White Christmas" by John Edwards, "Have Yourself A Merry Little Christmas" and I'll Be Home For Christmas" by Willis Jackson, and "I Saw Mommy Kissing Santa Claus" and "Silent Night" by The Impressions. Also includes "Feeling Like Christmas" and "Christmas Gift" by Margie Joseph, both by Lamont Dozier, who also produced the tracks! © 1996-2025, Dusty Groove, Inc.
(Cover has a cutout notch, light wear, and aging.)
(Cover has a cutout notch, light wear, and aging.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially if it is release or pressing details, or an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear, or strictly cosmetic flaws.
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