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Featuring early production from DJ Muggs. (Test pressing, with artist/title written in marker on the labels. Plain sleeve has a spirograph doodle.)
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Tracks include "Jiggle It Riddim #1" remixed by Kenny Meeze, "Jiggle It Riddim #2" remixed by Bryan Fyah Redman, "Tell Me What You Saw" remixed by Diplo, "Work That Elephant - Mad Decent Mix", and "Fireman So Cole" remixed by Atrak. 12-inch, Vinyl record