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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A killer album – one of Art Blakey's best non-Blue Note sides, and a blinding set of hard-driving jazz that well earns its title! The group is one of Blakey's pre-Timmons/Morgan/Shorter ones – with Jackie McLean on alto, Bill Hardman on trumpet, Spanky DeBrest on bass, and Sam Dockery ... LP, Vinyl record album
One of those obscure sessions recorded during the years after the time Blakey and Horace Silver broke up, and before he reestablished himself as a key leader on Blue Note during 1958. Features a striking early lineup of the Jazz Messengers featuring Jackie McLean(alto) and Bill Hardman(trumpet) ... LP, Vinyl record album
A quartet session that has Les playing with Leroy Vinnegar on bass, Ron Jefferson on drums, and Joe Pass on guitar. Pass' guitar opens the group up nicely – expanding Les a bit past some of the gospel drenched work of earlier yesr. Tracks include "Maichen", "Bernie's ... LP, Vinyl record album
Groovy stuff! We'd normally never say a bad word about Buddy (or else he'd sock us one!), but this album is particularly nice – as it features Rich's swinging late 60s group doing some pop/jazz covers of groovy 60s tunes, plus some very tasty originals! All tracks are pretty short, and the ... LP, Vinyl record album
A classic meeting of east and west coast artists of the third stream jazz sphere of the late 50s – one that features the team of John Lewis and Percy Heath of the Modern Jazz Quartet working alongside the west coast tenor of Bill Perkins, plus the guitar of Jim Hall and drums of Chico ... LP, Vinyl record album
Amazing! Although this album's a soundtrack to some goofy California surfer film, it's actually a killer batch of off-kilter jazz tracks composed by Bud Shank, and with a sound that's unlike anything we've ever heard from him! The frontline of the session is Shank, Bob Cooper, and Carmell Jones ... LP, Vinyl record album
Killer Jazz Crusaders material – exactly the kind of record that really had the group coming into their own in the second half of the 60s – finding a rich new groove that few other combos could match! The record captures the group at a perfect time – a point when they were ... LP, Vinyl record album
One of their many fantastic live sets from The Lighthouse – just about all of which are excellent. This one's one of their best, and features a few beautiful longer tracks that have a spiritual soulful vibe that you don't always get from the group. These tracks include "Native ... LP, Vinyl record album
One of the best records we've ever heard by The Montgomery Brothers – an album that's combined from 2 different sessions, but which has quite a unified feel! Monk Montgomery plays Fender bass – and both groups feature work by Buddy and Wes Montgomery – Buddy on piano and Wes on ... LP, Vinyl record album
A hard and heavy side from Buddy, and true to his reputation and the title of the LP, he comes out swinging! The set features a top notch mid 60s group, and from the sound of the numbers on this set, ol' Buddy did need to hand out any of his famous lectures on the bus afterwards, with some crisp ... LP, Vinyl record album