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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A casual title, but a hell of a cooker from the legendary Art Blakey – one of those great albums from his overlooked run during the 80s – a time when he still had plenty of fire, and the same continuing dedication to the best young players around as he did during the Blue Note years of ... LP, Vinyl record album
A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that ... LP, Vinyl record album
An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working ... LP, Vinyl record album
Seminal Art Blakey material from the early 70s – a real change from his 60s vibe on Blue Note, in a style that really opens up to a host of more spiritual touches! The album's a counterpart to the classic Buhania set, also issued on Prestige at the time – and like that record, this one ... LP, Vinyl record album
One of 2 wonderful sides that Gill Evans cut for the World Pacific label, both sets of modernist renditions of classic standards. Recorded in New York in 1958, with an great group featuring Johnny Coles, Cannonball Adderley, and Evans himself. As you'd expect Evans' super-sharp arrangements ... LP, Vinyl record album
A gem of an album – and one of the few rare sides cut by trumpeter Carmell Jones! The album features some hip early 60s LA soul jazz arrangements by Gerald Wilson – played by a group that features work by Jones, trombonists Tricky Lofton and Lou Blackburn, and pianist Frank Strazzeri. ... LP, Vinyl record album
Late 50's session in which Gerry Mulligan and Chet Baker try to recreate the sound that made them a legend on the West Coast in the first place. Cool breezy renditions of a number of standards, held down by the drumming of Dave Bailey and the bass of Henry Grimes, which is a nice treat on an album ... LP, Vinyl record album
The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower ... LP, Vinyl record album
A magnificent record from John Coltrane – one of his earliest expressions of unbridled spirituality, and a session that we've treasured for years! As you might guess from the title, there's a slight Latin focus to the record – but not one that has congas and bongos creating choppy ... LP, Vinyl record album