A hard-swinging cooker from Art Blakey and the Jazz Messengers – recorded during the landmark year of 1957 – when Blakey's group was open to recording for a number of different labels, in a number of different settings! The set was originally done for the west coast stalwart Pacific Jazz, but it's got a sound that's much more in the hardbop mode of the New York scene – all the fire and intensity that Blakey first cooked up for Blue Note, cast out with a slight sense of openness here in the less iconic setting. Players include Jackie McLean on alto, Bill Hardman on trumpet, and Sam Dockery on piano – and the album's right up there with Vik/RCA, Savoy, and Chess material they cut at the time. Tracks include "Touche", "Sam's Tune", "Once Upon A Groove", and "Wake Up". (Red label pressing with deep groove. Cover has split seams.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.