This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A Japanese-only collection of work from Cannonball Adderley's Riverside years – one that appears to have a few rare tracks! Titles include "Straight No Chaser" recorded at Jazz Workshop with Nat Adderley on cornet, Bobby Timmons on piano, Sam Jones on bass, and Louis Hayes on drums ... LP, Vinyl record album
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... LP, Vinyl record album
An undated Cannonball Adderley live set – but most likely from the early 70s, given that the group features electric keyboards by Mike Wolf, bass by Walter Booker, and drums by Roy McCurdy. The album has the group opening up a lot more than on Cannon's live sets for Capitol – playing ... LP, Vinyl record album
Once again, Cannon proves that it's not the song, it's the singer! This set of tunes from the hit musical Fiddler On The Roof should be schmaltzy – but thanks to the quality of the group (a great sextet with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones, and Louis Hayes), and thanks to ... LP, Vinyl record album
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The ... LP, Vinyl record album
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work ... LP, Vinyl record album
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark ... LP, Vinyl record album
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large ... LP, Vinyl record album
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... LP, Vinyl record album
A pretty darn nice album of funky Latin grooves – recorded by this great Latin trumpter for Fantasy, with help from a lot of the label's best funky jazz players, including Joe Henderson. The record includes a great track called "New Orleans Strut", plus the cuts "Dr. ... LP, Vinyl record album
A 70s soulful classic from the mighty Stanley Turrentine! Stan's not the bad "Mister T" on this set – he's more in a smooth, mellow mode – blowing over some nice soulful arrangements by Gene Page, ones that take the CTI funk approach, add in some strings, and create a bit of ... LP, Vinyl record album