This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Average White Band are most clearly associated with Atlantic Records during the 70s – and that label's genius move to record white soul acts for the crossover market – but this first album was recorded for MCA, and very much in the same vein as their later work. The record's not as ... LP, Vinyl record album
A landmark double LP collection of work from Stax Records – issued at the end of the 60s, after their split with Atlantic – and a real celebration of the new life that was coming to the label at the time! The range of work is really great, and the 28 track set moves easily from hits to ... LP, Vinyl record album
One of Joan Armatrading's real classics of the 70s – a record that perfectly blends her acoustic soul with some slightly tighter arrangements – but all at a level that still feels really personal and spontaneous! Joan's unique singing style is very much upfront – that individual ... LP, Vinyl record album
One of the only full sets we've ever seen to document the great run of singles cut by Jackie Brenston in the early 50s – work initially done in Memphis, as a real precursor to that city's soul scene – and later cut also in Chicago, with a really hard-wailing approach! The set's titled ... LP, Vinyl record album
A stone groover from British multi-instrumentalist Johnny Almond – stepping out here on a range of instruments that includes tenor, alto, flute, organ, vibes, and mellotron! Like Almond's other session from the time, the set's got a tightly arranged groove that feels a lot like some of the ... LP, Vinyl record album
An unusual little record from Art Blakey – a live set recorded at the Lighthouse in 1966, with a band that includes the surprising lineup of Keith Jarrett on piano and Chuck Mangione on trumpet! If you're surprised at the mix of players, and figure that they won't groove with Blakey's ... LP, Vinyl record album
A classic Chicago crossover of blues and soul – a wonderful album from Little Milton, and one that's cut with some of the same sophisticated overtones as work by Bobby "Blue" Bland at the time! The backings here are superb – arranged by Phil Wright and James Carter with a ... LP, Vinyl record album
Soulful 70s work from Herbie Hancock – a record that tightens things up from the Headhunters and Sextant sessions, but which still retains a lot of their depth and charm! Players here including some previous partners – like Bennie Maupin on reeds and Paul Jackson on bass – plus ... LP, Vinyl record album
One of Jimmy Smith's biggest albums of the 60s – and a classic Verve pairing of his lean Hammond organ solos with the fuller, hard-swinging arrangements of Oliver Nelson! Nelson is working here at the height of his powers – backing Smith with a large group, but in a way that only seems ... LP, Vinyl record album