This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A rare session from Astrud Gilberto – recorded in the early 80s as a collaboration with Japanese trombonist Shigeharu Mukai! The set's got a dreamy bossa feel throughout – with arrangements that are a bit modern, but still quite jazzy – and very much in the mode that brings out ... CD
A very different album for Lee Morgan – especially in comparison with his other early sessions! The record is a gentle batch of ballads and standards, played by Morgan with a quartet that includes Sonny Clark on piano, Doug Watkins on bass, and Art Taylor on drums – all beautifully ... CD
A lost bit of funky vibes and Fender Rhodes – one of those few records that's as sublime as it is rare – like work by Billy Wooten or Lyman Woodard! The Bobby Hamilton Quintet were an obscure combo from upstate New York – but they've lived on in our hearts (and ears!) with this ... CD
Warm later work from guitarist Joe Beck – a sweet trio session that features George Mraz on bass and Billy Hart on drums! Beck's got a great sound on the record – a colorful tone that's quite fitting for the album's tribute to Frank Sinatra – certainly not the same sound as the ... CD
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... CD
An album of spiritual tunes and spiritual themes – played by David Murray in a style that's quite similar to his work on the Deep River set! The format's a bit more traditional here, given the album's use of older themes from gospel music – but the core quartet of Dave Burrell, Fred ... CD
The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower ... CD
A group that's a lot greater than you'd guess from its name – with performances by Lewis Nash, Peter Washington, Steve Turre, Slide Hampton, Renee Rosnes, Jerry Dodgion, Ted Nash, and Ralph Lalama – plus Jon Faddis, who directs the group too! CD
The only album we've ever heard from singer Martha Hayes – and a beautiful vocal jazz treasure all the way through! Martha's got this raspy style that's quite unique – neither the icy approach of other females of the modern 50s years, nor the bluesy inflections of the Billie ... CD