Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Zoo Folle (with bonus tracks)

LP (Item 125206) Four Flies (Italy), 1974 — Condition: New Copy
2LP Gatefold (reissue)
List Price: 39.99
Also available
Giuliano Sorgini — Zoo Folle/Gli Animali Che Simpatia ... CD 20.99
An incredible lost jazz funk soundtrack by Guiliano Sorgini – one of the best we've been lucky enough to discover in ages – all the more fascinating given the film it was made for! The soundtrack is a wild one for the most part, with a few more elegiac sounding numbers – but weighted heavily overall with feverish percussion, Hammond, Moog and other keys and synths – along with funky flute and bass on the wilder numbers, and more elegant classical guitar and strings on the more meditative ones. It's a fascinating mix of styles considering the subject – a mid 70s documentary expose on the poor conditions suffered by animals in zoos and circuses, made by Riccardo Fellini, the brother cinema legend Federico. Amazing stuff, issued properly here for the first time ever! Includes "Mad Town", "Ultima Caccia", "Amboseli", "Space And Freedom", "Zoo Folle", "Chains", "Red, Old Skies" with Edda Dell'Orso, "Slaves" and "Rom-Londr-Parigi". Great 2LP version – with a full bonus album of unreleased music from the same time!  © 1996-2023, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Berto Pisano

La Novizia
Four Flies (Italy), 1975. New Copy
A wonderfully warm and slinky soundtrack from 70s Italian maestro Berto Pisano – a set with music that's even better than you might guess from the cover – and a really well put-together vibe that gives the whole record a very unified sound! The music is heavy on these slow-stepping ... LP, Vinyl record album

Sandro Brugnolini

Superground (180 gram vinyl)
Four Flies (Italy), 1969. New Copy (reissue)
Some of the trippiest sound library material we've ever heard from Sandro Brugnolini – in part because the core group here is a psychedelic combo, which might have led to a few of the tracks being used in a short animated film on Sharon Tate and Charles Manson! Yet as with most of the great ... LP, Vinyl record album
Cinevox (Italy), 1976. New Copy Gatefold
Unusual 70s work from Goblin – music that was used in the Italian version of the George Romero film Wampyr, and which mixes together some previous compositions used in new ways, alongside a few tracks exclusive to the film! The record's a bit different than other Goblin soundtracks, in that ... LP, Vinyl record album
BTF (Italy), 1978. New Copy (reissue)
Very obscure sounds from a very obscure Italian crime film of the 70s – issued here for the first time ever! The music has a great vibe – slinky, but also a bit offbeat – with some of those odd tunings of the piano that you might hear in an Ennio Morricone score when he was still ... LP, Vinyl record album
Cinevox (Italy), 1977. New Copy (reissue)
One of the wildest 70s soundtracks by the Italian horror genius group Goblin – filled with a lot of weird distorted electronics, strangely recorded percussion, and oddly-tuned guitar parts and basslines! The overall feel still has the band's electric slightly funky sound firmly in place, but ... LP, Vinyl record album
Cinevox (Italy), 1971. New Copy (reissue)
One of the more obscure soundtracks from the great run of early 70s material on Cinevox – and a set that's right up there with the best of the time, like Ennio Morricone or Stelvio Cipriani! The score's an unusual one by Augusto Martelli – for a film about a woman who is converted to ... LP, Vinyl record album
BTF (Italy), 1971. New Copy (reissue)
A real standout in Ennio Morricone's roster of great work from the time – a record with all the best elements in place – including vocals by Edda Dell'Orso and orchestrations by Bruno Nicolai – but an overall format that's a bit different than usual! Most of the tracks here are ... LP, Vinyl record album
Cinevox/AMS (Italy), 1976. New Copy Gatefold (reissue)
A non-soundtrack album from Goblin – but one that's right up there with the spirit of their classic scores for director Dario Argento! The tunes here are a bit longer, and spin out with a great mix of funky rhythms and electric keyboards – Fender Rhodes and clavinet, mixed nicely with ... LP, Vinyl record album
Carosello/BTF (Italy), 1969. New Copy (reissue)
A great little soundtrack from Ennio Morricone – with music that sports vocals both by I Cantori Moderni and Edda Dell'Orso – both of whom are working in prime Mondo Morricone modes! There's a dreamy feel to the best numbers on the set – heard most perfectly in the classic "G ... LP, Vinyl record album
Cinevox (Italy), 1979. New Copy (reissue)
Seminal Italian horror soundtrack music from Goblin! By this point, the band had completely evolved from a prog-oriented jazz rock band, into a group that was very well suited to handle a diverse array of movie scores and horror themes. The keyboards are still at the core – and there's a ... LP, Vinyl record album
Cinevox (Italy), 1969. New Copy (reissue)
An incredible soundtrack from Morricone's best period ever! The score has that totally sublime Morricone quality that you'll find on on a small handful of his best works – like La Donna Invible, Photo Prohibite, Le Casse, and Metti Una Sera A Cena – and it's filled with amazingly ... LP, Vinyl record album
Cinevox/AMS (Italy), 1978. New Copy (reissue)
The kind of sexy Morricone soundtrack we really really love! This overlooked gem is a sweet 70s side – written for a love story starring Marcello Mastroianni and Nastassja Kinski, and done with the lightly erotic touches that make even Morricone's prettiest melodies extremely haunting and ... LP, Vinyl record album
 



⇑ Top