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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Original mono recordings, remastered and presented in chronological order, with 21 titles in total – includes "Calling You", "Wealth Won't Save Your Soul", "Cool Water", "Honky Tonkin", "I Saw The Light", "Battle Of Armageddon", ... LP, Vinyl record album
With selections by Jim Reeves, Ray Price, Eddy Arnold, Jan Howard, Faron Young, Don Gibson, Jack Greene, David Houston, Dottie West, Marty Robbins, Conway Twitty, Sonny James, and Porter Wagoner. LP, Vinyl record album
A great little album of tripped-out folk rock by Sandy Bull, with more of a funky and jazzy edge than you'd expect. Bull plays most of the instruments on the album – including guitar and percussion, which dominate the set, plus a bit of electric instrumentation on the groovier tracks. The ... LP, Vinyl record album