This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Later work from Brian Auger's Oblivion Express group – really pushing the envelope from previous work with a soaring blend of fusion and soul! The keyboards are still very firmly at the front of the sound – stretching out a lot from Brian's original work on organ – and the group ... LP, Vinyl record album
This one appears to be a collection of work that Gary recorded for RCA during the 60s, but we'll be honest in saying that we don't recognize most of the tunes from albums that we have in our own collections. The grooves are laid out in a number of different settings – some in trio format, ... LP, Vinyl record album
A nice little reissue of some of Paul Desmond's great RCA sides. Put together in the mid 70s, but collecting recordings from a decade earlier, this nice little LP includes many of the nice numbers Desmond recorded in his cool quartet with Jim Hall, plus a few of the nice string laden numbers from ... LP, Vinyl record album
The Natural Seven is Al's septet that features Joe Newman, Frank Rehack, Freddie Green, Milt Hinton, Nat Pierce, and Osie Johnson. The group grooves in the usual tightly arranged Cohn style, with lots of ensemble playing, and some short clipped solos. Titles include "The Natural Thing To ... LP, Vinyl record album
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger ... LP, Vinyl record album
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowin ... LP, Vinyl record album
An obscure early gem from Neal Hefti – an amazing set of jazzy tracks, arranged with a style that's similar to some of his better soundtrack work of the 60s! The group on the album's a tentet – with 2 trumpets, trombone, reeds, guitar, bass, and lots of percussion – and Neal's at ... LP, Vinyl record album
A killer album – one of Art Blakey's best non-Blue Note sides, and a blinding set of hard-driving jazz that well earns its title! The group is one of Blakey's pre-Timmons/Morgan/Shorter ones – with Jackie McLean on alto, Bill Hardman on trumpet, Spanky DeBrest on bass, and Sam Dockery ... LP, Vinyl record album