Classic work from Hugh Masekela – and the album that pushed him over the top! The record features his version of "Grazin In The Grass", a runaway instrumental hit when it was issued – and a sly little groover that was based upon some earlier South African pop melodies that Hugh copped from his roots. The group's a tight little quintet with Al Abreu on tenor and soprano sax, William Henderson on piano, Chuck Carter on drums, and Henry Franklin on bass. The whole thing's great – and tracks include "Stop", "Bajabula Bonke", "There Are Seeds To Sow", "Vuca", "Almost Seedless", and "No Face, No Name, and No Number". (Original pressing. Cover has a cutouthole and light wear.) © 1996-2017, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.