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They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A classic session of pounding percussion – quite possibly the most successful entry into this earthy genre that hit the recording scene at the end of the 50s! Babatunde Olatunji is joined here by a great assemblage of players – including Montego Joe and Baba Hawthorne Bey on percussion ... LP, Vinyl record album
Beautiful work from reed player Tony Scott – recorded during a time when he was doing a lot of soul-searching with Eastern cultures! The set's a stripped-down batch of long tracks, with Scott's clarinet in the lead, and backing by 2 Japanese musicians on Koto and Shackuhachi. The tracks are ... LP, Vinyl record album
Landmark material from the legendary Nigerian percussionist! NEPA is a great little album from Tony Allen – recorded in the mid 80s, but with a chunky groove that's very much in the style of his 70s Afro Funk work! The title track is one of Allen's best cuts ever – a really anthemic ... LP, Vinyl record album