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New Chicago Blues

LP (Item 12129) Atlantic, 1972 — Condition: Very Good
Also available
Clarence Wheeler — New Chicago Blues ... CD 3.99

No blues at all – despite the title – and a great set of tracks that showcases the southside Chicago tenor roots of Clarence Wheeler! The album's a bit different than the first two Wheeler albums for Atlantic – in that the group's slightly bigger, and more 70s electric overall – opening up a bit from the small combo club mode that Clarence brought into play, but still keeping things soulful and edgey throughout! At times, the backings even get a bit ambitious – almost hinting at a Cadet Records vibe – with arrangements by Wheeler, Reggie Boyd, Ken Chaney, and Sonny Burke. All players are Chicagoans, and include Louis Satterfield on bass, Sonny Burke on organ and electric piano, Henry Gibson on percussion, and Larry "The Lar With The Flair" Frazier on guitar. Titles include "Kuumba", "Miss Gee", "Oblighetto", "How Could I Let You Get Away", and "New Chicago Blues".  © 1996-2020, Dusty Groove, Inc.
(White label promo. Cover has two stickers and a center split top seam.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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