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Africa, Center Of The World

LP (Item 1210) Polydor, 1981 — Condition: Very Good+

Roy Ayers in a very Afro-styled mode – working here on his own after a famous collaboration with Fela Kuti – in a set that's filled with the same sort of hard-driving Afro-Funk grooves that you'd find in Fela's classic recordings! The songs are shorter than Fela's, and with more of Roy's usual smooth jazzy production style – but the overall influence is very much in the Afro-Funk vein, and the album's sort of a "part 2" to the Music Of Many Colors set that was cut a few years before. William Allen worked on the record with Roy – playing choppy Afro-Funk bass, and arranging and producing a lot of the material with Roy and Jaymz Bedford – and the record also features a host of extra percussion players, as well as some vocals by the lovely Sylvia Striplin. Includes the great groover "Africa, Center Of The World", plus "The River Niger", and a great remake of "Third Eye", which was on Everybody Loves The Sunshine, but is redone here with a heavier sound! Other tracks include "There's A Masterplan", "I'll Just Keep Trying", and "Destination Motherland".  © 1996-2021, Dusty Groove, Inc.
(Includes the printed inner sleeve. Vinyl has a press flaw that clicks a bit on "Africa, Center of the World". Cover is in great shape.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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