Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Open Space Motion – Underscores

LP (Item 120844) Coloursound Library/Be With (UK), 1981 — Condition: New Copy
(reissue)
List Price: 36.99
Drummer Klaus Weiss gave the world some great funk and jazz in the 70s, but on this early 80s set, he's in a nicely different mode – using a fair bit of (then) contemporary keyboards along with his rhythms – at a level that ties this sound library work into some of the same shift in styles that was taking place in the soundtrack scene at the time! There's still plenty of acoustic elements – both in Weiss' percussion, and the bits of piano, flute, and other instruments that drift through the mix from track to track – in a tight lineup that includes "Relaxed Mood", "Pink Sails", "Outset", "Bows", "Neutral Position", "Departure For Universe", "Southern Mentality", "Transiency", "Wide Open Space Motion", and "Action & Suspense".  © 1996-2022, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Ocean Moon

Crystal Harmonics
KPM/Be With (UK), Early 80s. New Copy (reissue)
A really unusual later entry in the KPM sound library series – a set that's mellower and a lot more meditative than some of the label's usual work – not action or funky soundtrack material, but instead an electronic set that resonates nicely with some of the Japanese minimal work of the ... LP, Vinyl record album

Alan Hawkshaw/David Lindup/Alan Parker

Themes – Breath Of Danger
Themes/Be With (UK), 1974. New Copy
A killer set from the legendary Themes series of sound library records from the UK scene of the 70s – and an album that definitely lives up to the danger that's promised in the title! The tunes all have some great funk elements, but are also slow and moody too – that more haunting side ... LP, Vinyl record album
Montparnasse 2000/Le Tres Jazz Club (France), 1976. New Copy (reissue)
One of the funkiest records of the French scene of the 70s – a now-legendary sound library album from Jacky Giordano – and one that's filled with amazing keyboards throughout! Jacky stars with grooves that are like some of the best Lalo Schfrin crime/cop modes of the early 70s – ... LP, Vinyl record album
Finders Keepers (UK), 1972. New Copy
An amazing sonic portrait of the modern city – one created on the early 70s Italian scene, but lost to the shifting sands of time, due to its release as a sound library-only album! We've heard Maria Teresa Luciani on a few other records of this nature – but this one may well be her ... LP, Vinyl record album
Interbeat/Cinedelic (Italy), 1973. New Copy (reissue)
Sweet funky electronics from Franco Chiari – served up on a rare sound library session with an incredibly groovy feel! The keyboards range from electric piano to much more moogy modes – and are played with Chiari in ways that are almost a more electrified variation of the Italian ... LP, Vinyl record album

Sharon Mhati Chatam (Gianfranco Reberberi)

Fantasy (with bonus download)
Cinedelic (Italy), 1973. New Copy (reissue)
With a cover like that, it's easy to see where the fantasy in the title is going – certainly not into the musky world of swords and sorcery, and instead into the realm of slinky sounds that are right at home in the Italian sound library world of the 70s! The music here has all the warm ... LP, Vinyl record album

Joel Vandroogenbroeck

Far View
Coloursound Library/Drag City, Early 80s. New Copy (reissue)
A really unusual set of sound library work from Joel Vandroogenbroeck – all of it recorded for the Coloursound Library label in the 80s, and with a vibe that's nicely different from some of the more famous library material of the decade before! Here, there's a fair bit of keyboards and ... LP, Vinyl record album

Henryk Debich

Zblizenie
Astigmatic (Poland), Mid 70s. New Copy
The title here might not roll off the tongue, but the set's full of fantastic funky sounds that will have you fast forgetting you can barely speak the name of the record! Henryk Debich is one of the true European sound library greats of the 70s – but unlike his better-known contemporaries in ... LP, Vinyl record album
Homewood/Sacred Bones, 1976. New Copy (reissue)
One of the coolest, moogiest records we've ever heard from Mort Garson – and that's saying a lot, given that the man gave us the Wozzard Of Iz and a host of moog-based astrological records too! The album's billed as "mood music especially composed to aid the growing of your plants" ... LP, Vinyl record album

Janko Nilovic & The Soul Surfers

Maze Of Sounds
Broc (France), 2020. New Copy
A great pairing of funky talents old and new – 70s sound library legend Janko Nilovic on keyboards, and the totally hip Soul Surfers combo on rhythms – providing these great backdrops for some surprisingly wonderful work on organ, piano, and Rhodes from Janko! We'll confess, we didn't ... LP, Vinyl record album
Montparnasse 2000/Underdog (France), 1975. New Copy (reissue)
One of the funkiest records ever cut by studio jazz genius Janko Nilovic! This set definitely earns the "soul" in the title – as Janko blends his usual mad mix of studio sounds with some heavier 70s elements – including a fair bit of fuzzy guitar, funky beats, and some nice ... LP, Vinyl record album

Alessandro Alessandroni

Storie Di Guerra
Octopus/Holy Basil (Italy), 1972. New Copy (reissue)
A moodier set than usual from the great Alessandro Alessandroni – the kind of sound library album that really lets the composer open up and try some new ideas – of the sort he wouldn't necessarily use in his more famous soundtracks! At points, there's a darkness here that almost feels ... LP, Vinyl record album
 



⇑ Top