This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
British pianist Stan Tracey recorded a famous album in the 60s, based upon a work by Dylan Thomas – and here, he revisits the poet again as inspiration for a jazz record – with results that are equally great as that classic from the past! Despite the title, the record's not entirely a ... CD
British pianist Stan Tracey wrote some fantastic longer-form work for the legendary Lansdowne Series in the UK scene of the 60s – and that compositional imagination kept on going strong over the decades, as you'll hear in these two wonderful pieces from late in his life! The group here is an ... CD
An extremely well-titled set from the legendary Hank Mobley – one of his key Blue Notes of the 60s, and an album that glides along with an undeniable sense of joy, life, and soul! Mobley's really opening up his groove at this point – moving way beyond standard hard bop and soul jazz ... CD
A funky vibes classic – and a landmark set from Detroit vibist Johnny Lytle! The set's one of the purest examples of Johnny's great early groove – a tightly stepping version of soul jazz that played big in the clubs at the time, and which has forever made Lytle one of the favorites of ... CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
Late 90s work from Art Ensemble of Chicago legend Famoudou Don Moye – an album of highly percussive tracks, recorded in tribute to the late Oscar "Bobo" Brown III! The album features Moye's Sun Percussion group – with a lineup that includes congas, djembe, chekere, timbales, ... CD
A pivotal album in the career of saxophonist Lou Donaldson – a set that really has him finding his own groove – a slow-stepping, soul-drenched mode that's a nice change from the bop of his roots! A key part of the record's charm is conga work by Ray Barretto – a player used often ... CD
A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For ... CD
An excellent Hank Mobley session – with an unusual twist that takes it past his earlier work! The lineup's great all the way through – with Woody Shaw on trumpet, George Benson on guitar, and Billy Higgins on drums – and the addition of Benson's guitar gives the tracks a groovily ... CD