Dredd Foole & The Din : Songs In Heat (with bonus tracks) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Songs In Heat (with bonus tracks)

CD (Item 120125) Corbett vs. Dempsey, 1982 — Condition: New Copy
Gatefold
$12.99 ...

CD

✈
List Price: 15.99
A rare lost gem from the Boston scene of the early 80s – and a set whose "Din" features work from members of Mission Of Burma! Dan Ireton is Dredd Foole, and has a raw, moody way of putting over the vocals – strongly in the American post-punk tradition of the time, with a mode that's a nice link to some of the more experimental work on the Ohio scene – and a perfect fit with the dark instrumentation on the set – filled with plenty of lead guitar by Clint Conley, who's bringing his best MoB modes to the set – alongside organs and more guitar from Roger Miller, bass from Martin Swope, and drums from Peter Prescott. Titles include "Sanctuary", "Behind You", "Greatest Band In Hell", and "So Tough". PLUS, this reissue adds in rare bonus material – a version of "Sister Ray" from the album sessions – and live tracks "When I Was Young" and "So Tough", and a great take on Pere Ubu's "Final Solution". Also features a hidden bonus track – a cover of The Stooges "We Will Fall".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Dredd Foole & The Din

See God 1985/1986
Corbett vs. Dempsey, Mid 80s. New Copy 2CD
The second chapter of the underground Boston legacy of Dredd Foole & The Din – a strong stretch of material from a time when Dredd was working with the Volcano Suns! Early Din-related material had Mission Of Burma providing the instrumentation – and the shift here to Volcano Suns ... CD
Corbett vs. Dempsey, Early 1980s. New Copy
Lost genius from the UK scene of the 80s – the first-ever collection of work by Splat, a group whose singer was the force behind the legendary Ron Johnson records – home to some great funky punky acts back in the day! Splat have a groove that's right up there with labelmates Stump, The ... CD
Bear Family (Germany), Early 1960s. New Copy 2CD
The mighty Dorsey Burnette is often best known as the brother of Johnny Burnette – his partner in the groundbreaking Rock & Roll Trio – but on his own, he's a hell of an artist, and one who maybe stayed more true to his roots than Johnny! This massive set features an overdue window ... CD

Matt Berry

Gather Up (4CD set)
Acid Jazz (UK), 2010s. New Copy 4CD
A great celebration of the music of Matt Berry – a figure who's known to most for his comedic work on screen, but who also turns out to be a hell of a singer/songwriter in his own right! Matt's music is completely different from his acting – often very open and personal, but not ... CD
Ace (UK), Late 60s. New Copy
The great Jimmy Webb is one of our favorite songwriters of the 60s – a young man at the start, but one who could come across with a maturity that few of his contemporaries could match – arguably setting the scene for a key step into adult pop that would really explode in the 70s! Yet ... CD
Capitol/Ace (UK), Late 1960s/1970s. New Copy
Glen Campbell cut plenty of fantastic songs for Capitol Records – but year after year, some of the best were written by the young Jimmy Webb – an important 60s songwriter who brought magic to a number of different singers, but maybe clicked most strongly with Glen! You'll know the key ... CD
Bear Family (Germany), 1950s. New Copy
CD...$8.99 11.99
All the coffee-themed cuts you could ever want in a single compilation – a package that's a great reminder that when the Bear Family takes on a topic, they do a way better job than just about anyone else! This isn't one of those simple Starbucks-themed collections from years ago – and ... CD
Starday/Bear Family (Germany), Late 1950s/Early 1960s. New Copy
Some of the most home-grown, hard-hitting work of the rockabilly generation – which is maybe no surprise, as the legendary Starday Records had a very unique approach to their music! Starday was both a commercial record label, and a place where obscure talents could go to get their records ... CD
A&M, 1983. New Copy 4CD
An album that seems ready to catapult Simple Minds to superstardom right from the very first note – and one of the key 80s sets that marked the shift from new wave offbeat to mainstream success – reshaping the sound of the latter at a moment when Simple Minds and some of their UK ... CD
Big Beat (UK), 1960s/1970s. New Copy
Blazing 60s & 70s string-shredding mastery from Japan's great guitar instrumentals guru Takeshi Terauchi – whose playing matches the greatest 50s & 60s rock guitar gurus in both dexterous ability and pulpy mood setting! Takeshi put his own unique spin on the chugging styles of the ... CD
Ace (UK), Late 60s. New Copy
Right from the start, the brothers Gibb were recognized as some of the most striking songwriters of their generation – a fact that's sometimes lost, due to the trio's later disco fame in the spotlight – which obscures their huge impact as songwriters from the early years! This set ... CD

Grateful Dead

Duke 78 (3CD set)
Rhino, 1978. New Copy 3CD
The students of Duke University must have considered themselves very lucky to have scored this special performance of the Grateful Dead in 1978 – a sprawling, extended concert that has the group really giving their all – even though the setting was a bit different than some of the ... CD
 



⇑ Top