Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Girl From Chickasaw County – Highlights

CD (Item 119983) Capitol, Late 60s/Early 70s — Condition: New Copy
2CD
Temporarily Out Of Stock

CD

✈
❔
A stunning tribute to the wonderful Bobbie Gentry – and maybe the first package to really show the world how much she has to offer past her one classic crossover hit! Bobbie started out like a rocket with the country gem "Ode To Billie Joe" – a tune she wrote herself, and followed with lots of other great music on her debut album – which then set the scene for a great expansion into other modes, as Capitol Records really opened up their resources for Gentry to record in the late 60s! This double-length set really gets at the full scope of sounds that Bobbie created for Capitol – and includes way more than hits, with some rare tracks from obscure later albums, singles, and even a big number of titles that didn't even see the light of day until a 2018 box set issued with a similar title. 2CD set features a massive 46 tracks in all – and tunes include the rare "Sweete Peony (alt)", "Sunday Mornin (alt)", "Conspiracy Of Homer Jones", "Let It Be Me (without strings)", "Apartment 21 (stereo)", "Smoke", "Joanne", "The Girl From Cincinnati", "Circle Round The Sun", "Seasons Come Seasons Go (demo)", "Refractions", "Courtyard", and "Sittin Pretty" – plus lots more titles that only first appeared in 2018. The set also features new remixes of "Casket Vignette" and "Recollection" – and the classic titles "Chickasaw County Child" and "Ode To Billie Joe".  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Capitol, 1968. New Copy 2CD
A sublime album from the great Bobbie Gentry – and maybe her strongest full-length set recorded during the classic Capitol years! The title's "sweete" is a hillbilly play on the word "suite" – and the album definitely works as an extended suite of tracks – ... CD

Merle Haggard

Land Of Many Churches
Capitol/BGO (UK), 1971. New Copy
CD...$8.99 19.99
One of the most compelling larger projects put together by Merle Haggard during his "concepts" years at Capitol Records – a double-length set that has the country legend dipping into the spiritual side of the spectrum, with key recordings at a number of different locations! The ... CD
Capitol/BGO (UK), 1969. New Copy
A really special album in the career of the great Merle Haggard – a moment when he really started looking back to give credit to those who inspired him – and when he was also really able to express himself in a longer format too! Part of the credit might go to Capitol Records, who ... CD
Capitol/BGO (UK), Late 60s. New Copy 2CD
A trio of early classics from the great Merle Haggard – served up here in a single set! Branded Man is a key early album in the career of the legendary Merle Haggard – a set that's open about his time behind bars, and which resonates beautifully with all the themes of loss and ... CD
MGM/Bear Family (Germany), Mid 50s. New Copy
An overdue collection of work from the very young brother of the great Bob Wills – an artist who recorded for the same MGM label as Bob in the 50s, but who made some very different music overall! Billy Jack is much more of a rocker than his brother – and the cuts here do a really good ... CD
Takoma (UK), 1973. New Copy
CD...$9.99 18.99
A wonderful set from the early 70s – a record that has John Fahey opening up even more than before, on three very long tracks that really extend his ideas into a much more open space! The territory is maybe a bit more in the mode of Robbie Basho or Sandy Bull – and the pieces ... CD
Raccoon/Future Days, 1972. New Copy Gatefold
CD...$5.99 14.99
Raw & rambling folk sounds from Michael Hurly – recorded in early '72 – some of his better material of the era, living up to if not surpassing his Armchair Boogie of a couple years earlier! Michael's in seemingly amiable spirit here on some tunes, and standing on shakier ground or ... CD
Mega/Ace (UK), Late 60s/Early 70s. New Copy
Really fantastic work from the overlooked Sammi Smith – a country singer with a name that sounds a bit sweet, but a style that had her taking on some much hipper material than some of her contemporaries! In a way, Sammi's the kind of singer who was born in the generation of Bobbie Gentry and ... CD

Fern Jones

Glory Road
Dot/Numero, 1959. New Copy
CD...$7.99 15.98
Southern hillbilly soul from Fern Jones – a minister, church singer and songwriter with a real feel for the secular shake of 50s Sun Records, honky tonk, and shout blues – a pure evangelical with a worldly groove! Fern worked the gospel circuit of tent and church shows for many, many ... CD
Numero, 1970s/Early 80s. New Copy
CD...$7.99 18.98
Troubadour folk from the 70s and into the early 80s – collected from rare privately issued records – the third set in the Wayfaring Strangers series from Numero! Lonesome Heroes is the male companion set to the equally excellent Ladies Of The Canyon compilation – and it features ... CD
Epic/BGO (UK), 1985. New Copy
CD...$8.99 19.99
Two mid-80s sets from Merle Haggard – back to back on a single CD! First up is Kern River – a real classic from the Epic Records years of Merle Haggard – a set that has both the singer and the label realizing that one of the strongest suits of Hag's style at the time was his ... CD

Bobby Bare with Skeeter Davis, Liz Anderson, & Norma Jean

Tunes For Two/The Game Of Triangles/Your Husband My Wife (with bonus tracks)
RCA/Morello (UK), Mid 60s. New Copy 2CD
A trio of albums that pair RCA country star Bobby Bare with some of the label's female singers – all brought together with bonus tracks too! Tunes For Two is one of the magical pairings of Bobby Bare and Skeeter Davis – both rising stars in the RCA country lineup of the 60s – ... CD
 



⇑ Top