This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great set of European recordings put together by producer Gigi Campi – with Konitz on alto, Lars Gullin on baritone sax, Bobby Jaspar and Hans Koller on tenor, Rene Urtreger on piano, Sascha Distel on guitar, and others. CD
A great straight set from the later years of Lee Konitz – one that has the altoist swinging wonderfully in the company of pianist Kenny Barron! There's a soulful undercurrent to the record that really shows Barron's hand in the sound of the session – that mature groove that Kenny ... CD
A gem by Lee Konitz – one of his near-perfect 50s sessions for Atlantic! Lee's tone here is crisp, clear, and hauntingly fresh – modern, yet never academically so – and played with a dexterity that's incredible, but never too in love with itself to go too far. Key players on the ... CD
Nothing too academic here – despite the Harvard setting – just clear, clean early work from Lee Konitz – recorded with that crispy edge that he brought to all of his best early work! The album's a treasure all the way through – really amazing stuff, with a sharpness that's ... CD
Roy Nathanson on saxophone and vocals, Curtis Fowlkes on trombone and vocals, Bill Ware on vibraphone, electric piano, and vocals, Sam Bardfeld on violin, Marc Ribot on guitar, Brad Jones on bass and vocals, Ben Perowsky on drums, EJ Rodriguez on drums, percussion and vocals. CD