A completely sublime first album from the great Bobby Womack – and a set that already has him sounding quite different than any of his contemporaries! Bobby's got a southern soul vibe at the start, to be sure – but he also works things in this amazingly fresh way, too – a bit of Cali sun mixed in with his well-penned tunes – and a mature, confident approach that really pushes male soul in a new direction. The vocals are incredible – fresh, and raw, and with that warm little rasp that made him stand out so strongly from other singers of the late 60s – Bobby's personal touch that still always sends us after all these years. The arrangements are superb, with a mix of small-combo organ/guitar southern grooving, and just the right touches of larger orchestrations to push the whole thing over the top. The songwriting is superb – with some of Bobby's best early tracks, like "What Is This", "I'm In Love", and "Baby! You Oughta Think it Over". Even the non-original tracks are wonderful – like the track "Fly Me to the Moon", which Bobby manages to completely make his own! (Original stereo pressing with deep groove. Cover has some ring & edge wear.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.