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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... LP, Vinyl record album
With JJ Johnson on trombone, Sonny Rollins on tenor sax, Kenny Drew on piano, and Art Blakey on drums. Titles include "Half Nelson", "Mike's Blues", "Move", and "Squirrel". LP, Vinyl record album
Rare radio broadcasts recorded at Royal Roost and Birdland– with players who include Gerry Mulligan on baritone, Lee Konitz on alto, Brew Moore on tenor, JJ Johnson on trombone, and Walter Bishop on piano. Both Max Roach and Art Blakey handle drums – and Charlie Parker steps in on one ... LP, Vinyl record album
A stunning piece of jazz history from the young Miles Davis – and a record that's got maybe one of his coolest covers ever! The 10" release was Miles third for Blue Note – and fetaures a smoking quartet with Horace Silver on piano and Art Blakey on drums – giving Miles ... LP, Vinyl record album
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to ... LP, Vinyl record album
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of ... LP, Vinyl record album
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... LP, Vinyl record album
Classic Miles Davis from that pivotal year of 1954 – featuring work from 2 different sessions, both of them great! The title track on the album is a key reading of "Bag's Groove", presented here in two versions, both recorded by a quintet that includes Milt "Bags" Jackson ... LP, Vinyl record album
With Jan Hammer on keyboards, Steve Gadd on drums, Anthony Jackson on bass, Mingo Lewis on percussion, and Victor Godsey on 2nd keyboards. LP, Vinyl record album