This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Classic small group material from Chet Baker – 49 tracks, all recorded in the mid 50s for the excellent Pacific Jazz label – with help from Art Pepper on alto, Gerry Mulligan on baritone, and Russ Freeman and Bobby Timmons on piano! CD
A record that hides a bit under its title and cover – looking like a songbook session, and without Chet Baker's dreamy face on the front – but one that stands every bit as strongly with Baker's other late 50s sessions for Riverside, and done with an equally nice set of New York elements ... CD
Includes the songs "My Funny Valentine","Aren't You Glad You're You?", "This Time The Dream's On Me", "The Thrill Is Gone", "Blue Room", "Spring Is Here", "The Wind", "Let's Get Lost", "You Don't Know What Love ... CD
Quite a great session for Chet Baker – one that has him recording in New York, with a hip lineup that includes some incredibly soulful players! The tunes on the set feature Chet in either quartet or quintet formation – working with Johnny Griffin on tenor, Al Haig on piano, Paul ... CD
Killer work from the late 50's by Chet! Although Baker's trumpet playing in the early part of the decade became known as one of the trademark "cool" sounds of the west coast, he started to move towards a sound that was a lot more hardbop at the end of the decade – as you'll hear on ... CD
Amazing early work from Sonny Rollins – the first of his tremendous Blue Note albums – and a record that really shows him taking off at the time! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, ... CD
Genius, pure genius! Like all of Wayne Shorter's Blue Note sessions from the mid 60s, this album's a beautiful blend of hard bop ideas with a modern spiritual soulful consciousness – as important in its own way as Coltrane's work of the time – an incredible precursor for sounds from ... CD
The great John Jenkins was one of the lesser-known sax stars to come out of the Chicago scene of the late 50s – but he was also one of the best! Jenkins played alto impeccably – with boppish agility, and a deep sense of soul that worked great on this one and only Blue Note session as a ... CD
Previously-unheard material from Freddie Hubbard – great live sides recorded in Europe during 1969, all with a stretched-out sound that really points the way to some of Freddie's growth in the 70s! The feel here is a bit like Hubbard's excellent Hub Of Hubbard album recorded for MPS around ... CD
A return to slightly funky work for MMW – lots of organ, Fender Rhodes, Wurlitzer, and other groovy keyboards from John Medeski driving the set, backed by some excellent rhythm work by Billy Martin and Chris Wood. This is probably their most compelling album in years – at least to our ... CD