Johnny Adams : South Side Of Soul Street – The SSS Sessions (white vinyl pressing) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

South Side Of Soul Street – The SSS Sessions (white vinyl pressing)

LP (Item 118131) SSS International/Sun, Late 60s — Condition: New Copy
(reissue)
List Price: 29.99
A long-overdue second full length albums from the SSS International years of the great Johnny Adams – tracks that were mostly issued as singles by the label, and which come together here with a punch that's even harder than the work on his Heart & Soul album from the time! Adams has a voice that's definitely trained in the deep soul modes of the south, but also gets some groovier help that's more in keeping with the SSS approach – a bit funky at times, nicely gritty at others – on titles that include "South Side Of Soul Street", "Give Me A Chance", "Release Me", "Proud Woman", "I Won't Cry", "In A Moment Of Weakness", "You Made A New Man Out Of Me", "I've Got Too Much To Lose", and "Living On Your Love".  © 1996-2024, Dusty Groove, Inc.
(RSD Essentials pressing. Limited to 1000 copies.)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Volt, 1969. New Copy (reissue)
Standout solo work from Mavis Staples – a set that really expands the Stax sound nicely with a bit of strings to sweeten up the groove! Steve Cropper's at the production helm, and there's still enough grit in the grooves to remind us we're down in Memphis – but the choice of tunes and ... LP, Vinyl record album
Family Productions/ORG, 1972. New Copy (reissue)
Velvert Turner was one of the few cats to study as an understudy with Jimi Hendrix – and you can definitely hear that right in the opening notes of the set – which bristles with raw energy, and wild guitar lines that owe plenty to the recently departed Hendrix! Velvert's working in a ... LP, Vinyl record album
Family Productions/ORG, 1972. New Copy (reissue)
Velvert Turner was one of the few cats to study as an understudy with Jimi Hendrix – and you can definitely hear that right in the opening notes of the set – which bristles with raw energy, and wild guitar lines that owe plenty to the recently departed Hendrix! Velvert's working in a ... LP, Vinyl record album
Vault, 1966. New Copy (reissue)
The Chambers Brothers live – working in the same unfettered mode as their debut for Vault Records – and like that album, a set of tracks that was also recorded at The Unicorn in Boston and at The Ash Grove in Los Angeles! Things are pretty rootsy overall here – with strong ... LP, Vinyl record album

Michael Jackson

Thriller
Epic, 1982. New Copy Gatefold (reissue)
Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory ... LP, Vinyl record album
Scepter/Sundazed, Mid 60s. New Copy
The first-ever full length album of work by Candy & The Kisses – a really great east coast girl group who recorded these tracks for Scepter Records in the mid 60s! The trio are great – and have a way of snapping sweetly and hitting a groove that might have sounded very familiar ... LP, Vinyl record album
Scepter/Sundazed, Mid 60s. New Copy
The first-ever full length album of work by Candy & The Kisses – a really great east coast girl group who recorded these tracks for Scepter Records in the mid 60s! The trio are great – and have a way of snapping sweetly and hitting a groove that might have sounded very familiar ... LP, Vinyl record album
Curtom/Rhino, 1971. New Copy 2LP Gatefold (reissue)
One of the greatest albums ever from the legendary soul singer Curtis Mayfield – even though it's different than most of the rest as well! Curtis is captured here in a small club, with a tight band, spinning out these extended readings of some of his best tunes – both tracks he sang ... LP, Vinyl record album
Curtom/Rhino, 1971. New Copy 2LP Gatefold (reissue)
One of the greatest albums ever from the legendary soul singer Curtis Mayfield – even though it's different than most of the rest as well! Curtis is captured here in a small club, with a tight band, spinning out these extended readings of some of his best tunes – both tracks he sang ... LP, Vinyl record album
Stax/Vinyl Me Please, 1973. New Copy (reissue)
A lasting 70s classic from Frederick Knight – easily his best-remembered album, thanks to the legendary title track! The set's got a slow-burning, deeply soulful feel all the way through – one that takes Knight's high-end vocals, and backs them with some bottom-burning instrumentation ... LP, Vinyl record album
Stax/Vinyl Me Please, 1973. New Copy (reissue)
A lasting 70s classic from Frederick Knight – easily his best-remembered album, thanks to the legendary title track! The set's got a slow-burning, deeply soulful feel all the way through – one that takes Knight's high-end vocals, and backs them with some bottom-burning instrumentation ... LP, Vinyl record album

Stevie Wonder

Definitive Collection
Universal/Motown, 1960s/1970s/1980s. New Copy 2LP Gatefold
A well-titled set – as the double-length package brings together a huge run of records from Stevie Wonder – not just his familiar early singles for Motown, but also some later gems that show that Stevie's talents were alive and well, long past the 70s! If you know Wonder, you'll know ... LP, Vinyl record album
 



⇑ Top