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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
2 LP set of material from the mid 80's – one featuring Ornette reunited with his classic quartet of Don Cherry, Charlie Haden, and Billy Higgins; the other with his Prime Time group that included Bern Nix, Jamaaladeen Tacuma, and Denardo Coleman. The whole set's a "30 Years Of ... LP, Vinyl record album
One of the most compelling albums we've ever heard from Ornette Coleman – and a set that's very different than some of his other work for different labels – particularly his better-known material for Blue Note and Atlantic! The album's got a righteous feel that's right up there in the ... LP, Vinyl record album
Heavy duty stuff, and one of Ornette's best LPs from the 70's. Recorded in 1976, this is a perfect demonstration of the harmelodic style, with the whole group jaunting along in tight choppy bits. James Blood Ulmer's on guitar, and the sound is very dark and deep. Tracks include "Voice ... LP, Vinyl record album
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with ... LP, Vinyl record album
A record that bursts out with a sound that definitely lives up to its striking title – as Ornette Coleman explores the new frontiers of experimental jazz with one of his great groups from the end of the 60s! The album's got the intensity of the best ESP sessions of the period, but also shows ... LP, Vinyl record album
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from ... LP, Vinyl record album
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching ... LP, Vinyl record album
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... LP, Vinyl record album
An essential session from the Threadgill/Hopkins/McCall trio from Chicago. The album features long compositions in the group's best tradition – and a good mix of out playing with more spiritual concepts, in a strong AACM tradition. Titles include "Chicago Breakdown", "The ... LP, Vinyl record album