This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Darkly brilliant – and one of Joao Donato's most fantastic records! The set was recorded during Joao's time in America in the mid 60s – cut in New York with lofty backings by Claus Ogerman, in a pillowy soft mode that fits perfectly with Joao's light bossa piano lines, and which has ... CD
A great session by Carlos Lyra – recorded a few years after his bossa-era classics, but with a very similar feel! Carlos' vocals and guitar are as wonderful as ever – soft and gentle, with the right touch of sad emotion, but still the slight jazzy swing that's always made his work so ... CD
One of our favorite albums ever from groundbreaking Brazilian talent Lenine – a mad mix of soulful vocals, flanged-out guitars, rootsy percussion, and modern production with some slight amount of the kinds of sample influences being used by other modern Brazilians (like Carlinhos Brown or ... CD
A sublime 70s groover from the great Tamba Trio! This one works off of the expanded sound that the bossa jazz combo were forging on their late 60s work for CTI – adding in some more complicated arrangements by Luiz Eca to the regular piano/bass/percussion groove, pushing the sound into a ... CD
Great stuff from one of the most interesting artists operating in Brazil today! Antunes mixes compelling spoken vocals with beautiful modern production – swirling in heavy percussion, nefarious samples, and clashing loud guitar riffs – and the result has a groundbreaking effect similar ... CD
Beautifully spare work from guitarist Baden Powell – and a record that certainly lives up to its title! Baden's playing in a mostly unaccompanied setting for the session – working through some tunes that are markedly gentler than his bossa era numbers, but which demonstrate an amazing ... CD
A great later album from Joao Donato – one that almost took the world by surprise when it was released, as it came after a long period of silence from the bossa legend! The set's got a mellow-grooving feel that's definitely rooted in bossa, with a touch of jazz – modernized slightly, ... CD