Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Borga Revolution Vol 1 – Ghanaian Dance Music In The Digital Age 1983 to 1992

LP (Item 116855) Kalita (UK), 1980s/Early 90s — Condition: New Copy
2LP
List Price: 33.99
A great look at a second generation of groove on the scene in Ghana – music from a time when there was a bit more electricity in the rhythms, but a style that still held very strong to the most righteous modes of the 70s! Many of the cuts here have drum programs, keyboards, and other elements that are more familiar in contemporary club – but used in ways that tie nicely back to modes that we love in more classic work from West Africa as well – and which still keep many of these tracks far away from the more commercial modes of the world music boom of the time. Vocals are great throughout – and titles include "Obi Abayewa" by George Darko, "Mr DJ" by Uncle Joe's Afri-Beat, "Mabre Agu" by Wilson Boateng, "Odo Refre Wo" by Paa Jude, "Efie Nnye" by Aban, "Eshe Wo Kon Ho" by Uncle Joe's Afri-Beat, "Odo San Bra Fie" by Native Spirit, "Mada Meho So" by Thomas Frempong, and a number of medley cuts by Dr K Gyasi's Noble Kings.  © 1996-2022, Dusty Groove, Inc.
(A really well-done package – nice and hefty!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Buari

Buari
RCA/Be With (UK), 1975. New Copy (reissue)
Maybe the best-known international album from Sidiku Buari – an artist who recorded some killer sets in his native Ghana, but who got a rare chance to work here in the US for this album – which features some tight funky elements by Bernard Purdie on drums, Paul Grivvin on keyboards, and ... LP, Vinyl record album
Melopea/Vampi Soul (Spain), Late 80s. New Copy
The Argentine scene has always had a special sound that's all its own – maybe a bit more modernism in the music than some of its South American contemporaries – which is definitely the case here on a well-chosen array of tracks from the end of the 80s! The work was all recorded for the ... LP, Vinyl record album

Nass El Ghiwane

Nass El Ghiwane (1974)
Sudiphone (France), 1974. New Copy (reissue)
Warmly hypnotic work from this great Moroccan group – a set of long tracks that mix together percussion, acoustic strings, and chanted vocals – all swirling together with a vibe that's as spiritual as it is timeless! The set was recorded in the 70s, but the only aspect of that decade ... LP, Vinyl record album

Ziad Rahbani

Houdou Nisbi
Relax In/We Want Sounds (UK), 1985. New Copy (reissue)
A really unusual album from the 80s Lebanese scene – very different than you might expect, and a record with so many different things going on at once! There's plenty of elements of sophisticated soul and west coast 70s jazz funk in the lineup – but Ziad Rahbani also blends these with ... LP, Vinyl record album
Relax In/We Want Sounds (UK), 1978. New Copy Gatefold (reissue)
A really fantastic record from the Lebanese composer Ziad Rahbani – music for a play, but a set that's also got a fair bit of bossa nova elements too! The songs are a mix of vocal numbers that are more straightforward and Mid-East in style, and instrumentals that blend jazz with light ... LP, Vinyl record album

Omar Khorshid

Giant + Guitar
Voice Of Lebanon/We Want Sounds (UK), 1974. New Copy (reissue)
Fantastic work from Omar Khorshid – definitely a giant in the 70s, due to his roles on screen – and a hell of a guitarist here, one working with a really great blend of trippy styles and Lebanese rhythms! There's some great moments on the record that mix eastern grooves with strong ... LP, Vinyl record album

Biluka Y Los Canibales

Leaf-Playing In Quito 1960 to 1965
Honest Jons (UK), Early 60s. New Copy 2LP Gatefold
Other-worldly sounds from a leaf-playing musician from the South American scene – an artist who takes the leaf of a ficus tree, holds it in his mouth, and creates all these unusual sounds that are very much in the territory of some sort of exotic reed instrument! The leaf solos are mixed ... LP, Vinyl record album
Souma (Netherlands), 1970s. New Copy 2LP Gatefold
A really weird and wonderful collection of work – hardly the airplane music you'd guess from the title, and certainly not in the territory of Brian Eno's Music For Airports – but instead some obscure sound library material from the 70s scene in Egypt! There's a mix of modern and ... LP, Vinyl record album
Matsuli (UK), Mid 70s. New Copy 2LP Gatefold
Tremendous sounds from the South African underground of the 70s – most of which never got global exposure at the time, and which were instead created by a small group of artists who found a home in the legendary Pelican nightclub in Soweto! The music is a fantastic fusion of American funk, ... LP, Vinyl record album

Friimen Muzic Company

Free Man (180 gram pressing)
Tidal Waves, 1976. New Copy (reissue)
Heady sounds from Friimen – a 70s combo from Nigeria, but one who have some of the deeper, more psychedelic elements of groups from farther south on the West African scene – lots of basslines and a dubby sort of vibe! At times, the feel here is almost more like Blo or Cymande (even ... LP, Vinyl record album
Honest Jons (UK), 1950s. New Copy 2LP Gatefold
An amazing collection – and one that really helped completely revise our understanding of Caribbean music! The collection features a fair bit of artists with roots in the West Indies, but who made a huge impact on London's postwar immigrant population – the new rise of non-native ... LP, Vinyl record album
Honest Jons (UK), 1950s/1960s/1970s. New Copy 2LP Gatefold
A long-overdue collection of work – one that really gets at the unusual appearance of Latin rhythms on the African scene of the postwar years! Latin sounds from Africa are nothing new, but they're one of those things that's always taken for granted, too – kind of assumed in most ... LP, Vinyl record album
 



⇑ Top