Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Here I Am

CD (Item 116489) Blue Phoenix/Ultra Vybe (Japan), 1984 — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔
John Watkins has a great approach here – focused and confident, but also nicely non-commercial – the best sort of indie blues vibe that was keeping the music alive and well at a time when it was being served up at a tepid level on so many other fronts! The session was recorded overseas, with great handling that has Watkins guitar in the left channel, the second guitar of Jimmy Johnson in the right, and the vocals in the middle – in a nice combo that also features plenty of Hammond work from Saint James Bryant! Johnson plays harmonica on one track – and titles include "Call The Plumber", "Dead Or Alive", "As The Years Go Passing By", "Here I Am", "Long Distance Call", and "Here I Am".  © 1996-2022, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Lefty Dizz with Johnny Big Moose Walker

Chicago Blues Festival 1979 (with bonus tracks)
Black & Blue/Ultra Vybe (Japan), 1979. New Copy
One of the first recordings to ever feature Lefty Dizz in the lead – done at a time when the singer/guitarist was a young star on the Chicago scene, but getting some key exposure here, thanks to an overseas recordings! Lefty's as great as you might guess from his name – a strong ... CD

Mighty Joe Young

Bluesy Josephine
Black & Blue/Ultra Vybe (Japan), 1976. New Copy
A really fantastic record from Chicago legend Mighty Joe Young – and one that really breaks the mold of the usual blues records of the time, as the tracks are all quite long, and really spin out with these long solos that beautifully demonstrates Joe's strength on guitar! We've heard Joe ... CD
Blue Phoenix/Ultra Vybe (Japan), 1985. New Copy
An overseas 80s set from Buster Benton, but one that's cut with the same mix of blues and funky soul that was showing up on some of the American indie labels at the time – almost a way of taking the energy of an earlier soul generation, and folding it into electric blues, so that both could ... CD

Jimmy Dawkins & Big Voice Odom

Jimmy Dawkins/Big Voice Odom (with bonus tracks)
Black & Blue/Ultra Vybe (Japan), 1974. New Copy
A killer set – one that not only features vocals from Jimmy Dawkins on one half, and vocals from Big Voice Odom on the other – but which also includes some great guitar from the mighty Otis Rush! Rush is fantastic, twisting around Jimmy's own guitar, which is pretty darn great too ... CD
Black & Blue/Ultra Vybe (Japan), 1970/1973. New Copy
Great work from this Chicago group – material recorded in France, but which wails with the best sound of the small blues clubs on the south side at the time! The core group features Louis Myers on guitar and harmonica, Dave Myers on bass, and Fred Below on drums – joined by Eddie ... CD
Black & Blue/Ultra Vybe (Japan), 1975. New Copy
Don't let the title fool you, as the set was recorded in the Barclay studios in Paris – but the record is definitely Chicago all the way through – as Hubert Sumlin plays guitar and sings – in a combo with Willie Mabon on piano and Lonnie Brooks on second guitar! By this point in ... CD
Black & Blue/Ultra Vybe (Japan), 1986. New Copy
Eddie Burns more than earns his "Guitar" nickname here – with some deft electric lines that are matched by some equally nice work on vocals! The set has some of the qualities that you might hear on an American blues session of the time – but the overall approach is leaner, ... CD
Black & Blue/Ultra Vybe (Japan), 1973. New Copy
The great Jimmy Rogers was a key figure on the Chicago blues scene in the 60s – yet apart from a few recordings for Chess, it always seemed that some of his best recordings were done overseas – as is the case with this great French session from the early 70s! Despite the overseas ... CD
Ace (UK), Late 40s/1950s/1960s. New Copy
CD...$9.99 18.99
One of the best collections of harmonica blues we've ever heard – a totally smoking set that focuses on the hippest material of the postwar years – filled with obscure tracks that go way past some of the overplayed tracks in the genre! Almost all the tunes here have the instrument ... CD
Ace (UK), Late 50s. New Copy
CD...$9.99 18.99
Rootsy blues from the great Excello Records – most of it recorded not too far from the Tennessee city in which the label made its home! The southern scene in the 50s was going through plenty of changes – partly because of all the migration northwards that started during the wartime ... CD
77 Records/Sunset Blvd, Mid 70s. New Copy 2CD
A set that brings together great early work that Fenton Robinson recorded for the 77 Records label – plus a full CD of live material too! First up is material from the Monday Morning album – not the first recording ever made by Fenton Robinson, but a record that really brings together ... CD

Brian Jackson

This Is Brian Jackson
BBE (UK), 2022. New Copy
A stunning revival for the great Brian Jackson – an artist who's best known as the keyboardist with Gil Scott-Heron in the 70s, but a hell of a singer on his own – as you'll hear in this really wonderful set! The album's not Jackson's first solo effort – but it may well be the ... CD
 



⇑ Top